
Come, Sword! Cleave Gods and Slay Demons
剑来,劈神斩鬼
- Status
- Ongoing
- Length
- 164k Words
- Genre
- Mystery
- Subgenre
- Mystery High-Concept
- Updated
- 9mo ago
- Source
- Fanqie
Synopsis
More by this author
In booklists 5
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Looking for stories like After Going Bankrupt, I Awakened the Divine Eye for Appraising Treasures. I want an exciting, gripping plot and a wildly imaginative premise.
I Like Sitting on the Balcony, Watching the Sunset, and Reading. Looking for Something Calming
Looking for something similar to "When the Clouds Tire, the Colored Clouds Return". Sitting on the balcony at dusk, watching the sunset for a while, then reading for a while. A book like the sunset, peaceful and beautiful, with life moving at a gentle pace. If you like that too, I recommend "When the Clouds Tire, the Colored Clouds Return".
Reader comments 65
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A sword opens the sky and breaks the chaos, and this peace of mind is in the world - a review of "The Sword Comes, Splits Gods and Kills Ghosts", a masterpiece of fairy tales! It is a bookworm's luck to come across such a fairy tale novel with both courage and warmth! The novel breaks away from the routine of traditional cool writing and uses heavy writing to build a grand world that integrates Confucianism, Buddhism and Taoism, and connects heaven, earth and people. It has both the high-burning duel of "sword energy stretching thirty thousand miles" and the fireworks of the rivers and lakes where "the true love is seen in the subtleties". It makes people want to read it. The author's imagination is amazing. Each of the four worlds has its own universe: the righteousness of Confucianism in the Haoran world, the catastrophe of demons in the wild world, the Buddhist pure land in the Lotus world, and the Taoist mysteries in the Qingming world. The nested settings are rigorous and full of imagination. From the secrets of the small town in Lizhudongtian to the life-and-death defense of the Sword Qi Great Wall, from the orthodox disputes in the Confucian Temple to the gods-slaying battles in the heavens, every scene is vividly depicted and the atmosphere is full, making people feel as if they are actually there. The protagonist's growth line can be called a god. From a mud-legged boy whose parents died, to a swordsman who carries a legacy, to a sword cultivator of the Fourteenth Realm guarding the world, his tenacity of "cultivating his strength and cultivating his heart" is moving. Ning Yao's sword-bone infatuation, Qi Jingchun's martyrdom, and A Liang's wild and unrestrained character. Each character is vivid and three-dimensional, including the hero's joy and hatred, but also the tenderness and weakness of mortals. Their choices and perseverance allow the philosophy of "good and evil", "rules" and "freedom" to run through. The plot of the novel is logically rigorous and full of twists and turns. Big scenes such as the invasion of the wilderness, the restoration of Shinto, and the chaotic dance of demons are full of tension. The showdown between swords and gods and demons is hearty. The fireworks in the market, the inheritance between master and apprentice, and the love between lovers make the story a little more gentle. The author has great literary talent, and the words contain both the boundless spirit of a fairy and the wise words of life. The martial arts is explosive and the literary drama is thought-provoking. The more you read, the more profound it becomes. This is not only a fairy tale about killing gods and ghosts, but also a long song about growth, perseverance and responsibility. Whether you are a fan of cool writing who likes high-octane duels, or a reader who prefers in-depth content, you can find a sense of belonging in this book. It is highly recommended to all bookworms. If you calm down and read it carefully, you will definitely be shocked by the power of this "sword" to cut through chaos and protect the world! The author's imagination is amazing. Each of the four worlds has its own universe: the righteousness of Confucianism in the Haoran world, the catastrophe of demons in the wild world, the Buddhist pure land in the Lotus world, and the Taoist mysteries in the Qingming world. The nested settings are rigorous and full of imagination. From the secrets of the small town in Lizhudongtian to the life and death of the Jianqi Great Wall, every scene is vividly depicted. Especially the setting of the Great Wall of Sword Qi, as the world's first barrier against barbarism, it is both a place of exile for sword cultivators and a holy land for cultivation. Chen Qing has been guarding the sword for thousands of years, and finally died for the demon-slaying ancestor. The tragedy and glory of this isolated city make the entire world structure more profound.
The reader is brought into a tense atmosphere at the beginning. The entire plot is compact, the atmosphere of horror is strong, and the plot has ups and downs. In short, it is very exciting. If you like it, I recommend reading it. 😄 The characters have their own characteristics, and the environment and character dialogues switch naturally. The writing is so wonderful. I hope that the book will become more and more popular.
The author has novel ideas, delicate writing style, compact plot and ups and downs. The description is detailed and penetrating. Interlocking and fascinating. The plot is exciting and the logic is reasonable. The content is rich and worth reading.
The rhythm is really great, it is relaxed and relaxed without any delay. One second it was gripping the heart in the gloomy environment, and the next second the dialogue between the characters is thrown out, and the vitality emerges. Each character has its own energy, not a paper man tool; the text is also equipped with picture buffs. As you read, you can imagine the weird and emotional scenes in your mind, which is scary and refreshing. I come here to catch up every day, I love watching it.
It's simply not enough! This is so good. I stayed up all night and read it in one sitting. It was really enjoyable! The plot took over and I still couldn't get enough of it. What a wonderful word! What impressed me the most was the author's sense of imagery, which is so strong! There is nothing to say about being tall!!!! I really can't get enough! I will keep chasing!!!!!!
The author has great literary talent, and his description of people, events and objects is clear and clear. The various environments described in the painting are vivid and vivid, creating a full sense of environment and atmosphere. The plot of the novel is ups and downs and full of logic. This type of novel has novel themes and is an unprecedented pioneering work. This novel is a rare and good work, worthy of careful reading by all new and old bookworms.
It is a very interesting book that defines the world as a multi-dimensional world. The higher the dimension, the stronger the strength. Cards can be used as resources. Through card tasks, you can obtain cultivation resources and wealth. The story is somewhat fantasy and supernatural, the plot is ups and downs, the plot is vivid and fascinating. It's just too little, I hope the author can speed up the update. As fascinating as ever, I hope the author will update soon. Follow up.
I have finished reading it and am waiting for the author to update the chapter. Comment on the reading experience. This book breaks out of the cliché framework of fairy tales, using "sword" as its bones and "righteousness" as its soul. The protagonist has emerged from humble beginnings. Faced with the pressure of gods and the deceitfulness of ghosts, he always sticks to his true heart and wields his sword to cut off injustice. In the book, there are majestic scenes of swords breaking through the sky, as well as delicate depictions of fireworks in the city. The interweaving of immortality and mortals makes the world view more three-dimensional. The characters are vivid and full, and the plot has unexpected twists. It is a masterpiece of cultivating immortality that is both refreshing and profound.
With the bloody night rush at Meridian Gate as the curtain, the ultimate horror is shown: the paper man in white pursues with scarlet slit lips, the sound of the ax blade chopping is mixed with Ling Hao's roar, and fear floods his spine like a tide. The sad whispers of the skeleton in the ghost bride's mirror add to the mystery, and there is an unknown obsession hidden in the pursuit of life and death. The author weaves a dense web with details such as bloody footprints and eerie red eyes, combining suspense and tragedy. When reading, your heart beats wildly with your footsteps, and your scalp feels numb but you can't stop. A very enjoyable book. 5 Star recommendation.
Using blood as ink and escape as pen, in the classical palace where ghosts chase souls, a rift between life and death is opened. This escape scene is like a horrifying scroll splashed with the four colors of blood, night, paper and stone - the blood mark on Ling Hao's back is connected as an intermittent lifeline on the long Meridian Gate. The sting of the cold wind in the throat and the scarlet smile of the paper man from ear to ear form a cruel confrontation in the senses. The lavender sword light that cannot cleave evil spirits reflects despair, just like a There is a paradoxical lightning that cuts through the darkness but cannot lead to a way out; the image of the paper man holding an ax is particularly exquisite. The thin paper and the ferocious ax blade, the pale body and the strange red eyes squeeze out a dense sense of fear in the contrast, making the pursuit not only the oppression of space, but also a strange mutual devouring between civilization symbols (imperial palace) and primitive terror (paper puppets). The "loose slate" that Ling Hao finally pounces on seems to be the only pause in this desperate rhythm - whether it can really seal the evil spirit is still unknown, but in that one shot, the physical escape has been turned into a violent interrogation of memory symbols, making the horror narrative suddenly sink into the deep level of historical ruins. The plot has ups and downs, and the author's writing style is exquisite and worth following.