You think you are here to redeem him, but in fact he is here to teach you how to be yourself.
When Lin Tingfeng, a modern young man, was transformed into the tragic villain Lin Tingfeng in the Machiavellian novel "The Old Book of Fengmian", he thought that his mission was to "nurture" and "salvation" and prevent the young man from turning black. However, he was told by the system that the ultimate mission was to make him fall in love with him and then die at his hands.
The stern Taifu Shen Guanyu is his guide, the embodiment of world consciousness, and the author trapped in his own tragedy. Seven recurring deaths, seven unrevisable plots, until this time, the book-passer is no longer the mission executor, the villain is no longer a given tragedy, and the author is no longer a ruthless narrator.
From "I want to save him" to "let's live together", from "I must correct you" to "rewrite a new world for you", the fetters of two-way redemption hide the collapse and reconstruction of multi-layered worlds. Here are the misguidance of the book travel system, the impact of identity reversal, the passion of restarting the world, and a profound proposition beyond romance: Who defines the villain? Who controls destiny? When love is no longer the only answer, mountains, rivers, seas, and self-awakening are all places worth traveling to.
