Xue Pan in the Red Mansion: the Rebellion Broke Through and Stepped Onto the Golden Throne

This book analyzes Red Mansions from the perspective of Xue Pan from the logic of power. The protagonists of The Red Chamber are Baoyu, Daiyu, and Baochai, but its skeleton is Yuanchun. Yuanchun's entry into the palace is a sign that the four major families have re-entered the center of power. The title of concubine in Yuanchun is the ultimate expression of the competition between the two emperors. The death of Yuanchun means that the world has become completely white and completely clean. Note that the author here refers to the world, not the four major families. The author respects Cao Gong, respects the original work of Red Mansion, and respects the children of Red Mansion. The author uses the "power structure perspective" and the "historical and political logic perspective" to write about Red Mansions. Without the perspective of writing, even if I read Red Mansions a hundred times, I still won't be able to discover the political significance of the Qin Keqing incident in Red Mansions, nor will I be able to discover that Yuanchun is the soul of Red Mansions! The protagonists of The Red Mansion, they staged the love and hatred of their families in the Provincial Family Garden in Yuanchun. They are just a microcosm of the external political dynamics and feedback from all aspects of Yuanchun. The author feels that Mr. Cao has too many unfinished words, so the author will show more of his own understanding to Mr. Cao. Right? Is it wrong? Judges will make their own judgment. Duke Cao couldn't write the rest of the plot, and I didn't want to write it. Since it's lost, let it be lost. The author slightly changed the ending from Xue Pan's perspective to make it less bleak. The core idea is that it begins in Yuanchun and ends in Yuanchun. If you read this book, it is recommended to jump to the second chapter 195, which contains a complete skeleton analysis of the Red Mansion.