Su Qingyan from Yanzhou is a girl who has "repair of ancient books" engraved in her bones - she can judge the age of the paper by touch when her fingertips touch the yellowed pages; she can seal the damaged pages tightly by pinching them with bamboo tweezers; she guards the "Mohen Studio" left by her grandfather and turns the days of restoring ancient books into a slow-paced cultural poem. Lu Yan, on the other hand, is a "digital revitalist" who follows the rhythm of technology - 3D scanning scans ancient books and can restore every ink mark; a VR lens points at the workshop and can unearth the skills hidden in time; the studio's "digitalization of traditional culture" case has become popular all over the Internet, making "old heritage become trendy" into a new trend.
An unexpected "encounter in ancient books" brought these two people with "completely different painting styles" together. Su Qingyan felt that Lu Yan was "too fancy". It is the last word to use scanning or VR for good ancient books and that they feel good. Lu Yan felt that Su Qingyan was "too stubborn" and relied on word of mouth from old customers. Sooner or later, he would be eliminated by the digital age. From "not liking each other" when they first met, to collecting rice paper, adjusting models, and dealing with rumors together, they gradually discovered that Su Qingyan's "stubbornness" was hidden in awe of ancient books; Lu Yan's "fancy" was full of respect for skills.
