Su Wan left Lu Huaichen and entered a top jewelry design company under a pseudonym. She shone with her strength and became a new star in the industry. Lu Huaichen fell into great pain and regret. He was no longer a domineering president, but learned to respect, wait and repent. In a clumsy way, he silently cared about Su Wan and supported her career without any force. Su Wan's career was booming, and excellent suitors appeared around her. Lu Huaichen completed his self-transformation in the "Crematorium" and learned to love and communicate. Not only did he help Su Wan find out the truth about her mother (which can be set as foreshadowing), he also provided unreserved help as a partner when she encountered a career bottleneck. Su Wan held a personal jewelry exhibition, and the finale work was titled "I'm Not White Moonlight". It told the story of a woman's search for herself, which shocked the audience. Lu Huaichen burst into tears in the audience. He came on stage, not to seek reconciliation, but to analyze his mistakes in public, and announced that he would set up a women's art fund with half of his personal property, and hand it over to Su Wan to manage it fully as compensation and respect. Su Wan saw a radical change in him. In the end, she did not forgive easily, but gave each other a chance to start over. The ending ends with Su Wan saying to him: "Lu Huaichen, let's get to know each other again. I am Su Wan, and your White Moonlight has never been me." Open HE, with a long aftertaste.
