After Bai Yueguang and Su Yan returned to China, I took the initiative to end my career as a stand-in.
Gu Yanzhou thought I would beg and beg, but I tore up the contract in public and turned around to leave.
He doesn't know that the scar on my left hand is exactly the same as that of the lost daughter of the Bai family.
He didn't even know that I had already joined forces with three other "colleagues" - a technical genius, a down-and-out painter, and a top bodyguard to turn the abandoned game into our chess game.
What everyone expected the most was that the aloof Bai Yueguang Su Yan actually took the initiative to find me.
"I'm not here to take back anything," she said. "I'm here to help you, and I'm here to help myself."
Starting from the much-disdained "Panshi Studio", we use technology as our sword and art as our shield.
While Gu Yanzhou and the others were still playing the control game with money and power, we had quietly rewritten the rules under the guidance of this "White Moonlight".
It wasn't until our business empire was established that the former chess players were horrified to discover:
The me they regarded as their substitute was not only the pearl of the Bai family that they could never reach;
The Bai Yueguang whom they worship as a god has already become our most steadfast guide on the road to awakening.
And we want to subvert the world defined by them with our own hands.
