"When the 'historical nothingness' swallows up global memory, Rome becomes an empty boulder, and the Tang Dynasty turns into vague legends. Only China retains the fire of civilization because of the 'soul shelter'.
Chen Ji, a history student, was treated as a delusional patient because he insisted that "the moon of the Tang Dynasty has three outlines". However, when the memory of the Tang Dynasty in Chang'an collapsed, he awakened to the "historian's pen" - in the asylum deep in his consciousness, there were trapped civilized heroes who were mad because of being forgotten: Ban Chao's obsession with hollowing out the sky, Li Bai's reverberation of his sword, and Yue Fei's military soul.
As a 'scavenger', he regards himself as the annals of history, uses the shadow of the warriors of 'The King of Qin to sweep the world' to break the distortion of space, and uses the logic of 'imperial examination inheritance' to maintain the foundation of knowledge. Even when the Nordic Hall of Valor comes, he uses the historical view of 'Chinese civilization is good at breaking the law of cycles' to deconstruct the illusion of the Twilight of the Gods.
This is a war against nothingness using the principles of civilization: we remember, therefore we exist. What Chen Ji wants to do is to recover all the forgotten civilizations from the abyss, so that Tang poetry, art of war, and the contention of a hundred schools of thought can once again become proof of human existence. "
This introduction not only explains the world view and the identity of the protagonist, but also points out the exciting points of "conceptual combat" and "civilization resonance", and also fits the core theme of "salvage civilization". Do you want me to help you adjust your tone or add details?
