There Is Rain in Wushan: the Crane Returns

When heaven and earth become "living" existences, myth becomes a hotbed of trembling. The protagonist has regained consciousness since the end of the era, and with the coldness of a coroner, he "scientifically" measures this absurd and compassionate world. But he has been trapped in a stubborn entanglement in the name of "karma" since his birth. All the "him" you see is Him. It has been Him since the first era, so don't even think about escaping. But the one who waited for a million years in Mingjuyuan finally waited for His return, but split himself into two, with one half accompanying "her" to grow, and the other half accompanying Him to destruction. He is the God of Death, and it is His divine instinct to drag Dahuang to be buried with him. Delicate and stunning brushstrokes weave a logical and self-consistent theocratic system and the strange scrolls of the gods in the East: the singing girl sings with blood and tears, and the rain girl is willing to shake her clothes; memory is invisible and has become a cage that traps loyalty; the god of fate interferes with the destiny, but it plays into the hands of the god of death; strange dreams lead to the awakening of heaven; decay corrodes hope; chaos devours the sky and leads to the sky; the god of wisdom never interferes with cause and effect... Between the in-depth theft of divine power and the light-hearted and funny daily complaints, we explore destruction and redemption, freedom and resistance, humanity and divinity... The so-called "my destiny is up to me" is just the most exciting part of the trajectory of destiny.

The vests of all the members are also a highlight. Everyone has a secret, and you won't be able to figure it out until the end. And the emotional line is also very touching. The two male protagonists, the compassionate god and the evil yandere, interact with the female protagonist in a sweet and sharp way. They sprinkle sugar and stab the knife at the same time, making people love and abuse at the same time. The overall rhythm is slow-burning, but the foreshadowing is very deep, and it becomes more and more exciting as it goes on.

The pace of the story is relaxed and relaxed, and the relaxation of daily infrastructure and the tension of divine conspiracy are well intertwined. The portrayal of the two male protagonists is very brilliant. The yandere and darkened River God is in sharp contrast with the affectionate and paranoid Bai Yueguang. The interaction with the female protagonist is sweet and sadistic, making people unable to stop. There are plenty of foreshadowings, and from the survival of the tribe to the destruction of the heavens, the situation is naturally upgraded. There is suspense throughout the whole process that makes people want to follow it. If you like mythological romance with a touch of Machiavellianism, this book is worth reading. The writing is smooth, the plot is compact and not procrastinating, and it is a good article worth following!

The overall narrative orientation is slow-paced and full of details, emphasizing the sense of process of "observation - evidence collection - reasoning - decision-making". The story is a series of multiple disasters, with both the shock of large-scale scenes and the detailed elaboration of documents and clerical systems; there are motives and chains hidden behind every "miracle". Readers and the protagonist solve puzzles simultaneously, and experience an immersive feeling similar to "mythological reasoning". The reversal of "the fog clears" in the middle and late stages shifts the contradiction from external confrontation to self-recognition, completing the narrative shift from "external resistance" to "internal reconciliation".

The heroine is a "career brain" with a highly educated female forensic background. She is calm, restrained, evidence-first, and her values ​​are "solving problems" as her first priority. The two male lines respectively present a "sick and sick dog skin plaster"-style possession and a "green tea crazy batch"-style scheming, which not only creates tension, but also constantly tortures the boundaries of power and emotion. The relationship between the characters is not one-way attachment, but a triangular pull around "theocracy-responsibility-freedom", without losing any sense of proportion and reflection in the conflict. The extreme dialogue between "Can you have some potential... Get away!!!" And "You must die in my arms" brings possessiveness and self-tearing to the forefront at the same time. The emotional concentration is high but not suspended.

The most poignant thing is the heroine's time-travel opening without a golden finger. The forensic doctor's soul travels through a neutral body. She has no system or memory, and even self-protection relies on instinct. This "sky-collapse opening" is particularly real. From encountering monsters in the mountains to being mistaken for a priest by Nan Lucheng, the plot progresses naturally, especially the setting of the white light protector that comes with the body, which is not abrupt and leaves suspense.

It is a fantasy time-travel novel that is very appealing to my taste. The heroine transforms from a forensic doctor into a gender-neutral priest. There is no golden finger or memory at the beginning, and she relies entirely on modern knowledge to build a primitive tribe. The rhythm of farming + adventure is very comfortable, and it is effortless to read.

The scene is very grand! The subject matter, writing style, ideas, and characters are all refreshing [Like] [Like] [Like] Continue listening and reading, please give me a like [like] [like] [like] I like it very much and look forward to the wonderful follow-up! Come on come on!

The story setting of "Rain in Wushan: The Return of the Crane" is a masterpiece. It cleverly combines the mythology of the Classic of Mountains and Seas with elements such as women dressing up in men's clothing and all members wearing vests, creating a unique charm. The heroine's counterattack journey from a cowardly priest to the ultimate big boss, paired with vivid characters such as the yandere river god and the brilliant master, has both the emotional pull of flying sugar knives and the grand narrative of the coming doomsday. From tribal infrastructure to Ragnarok, the rhythm is relaxed and suspenseful, making people want to stop. It is a fantasy romance masterpiece worth savoring.

The setting of the book "Rain in Wushan: The Return of the Crane" is very interesting - a prehistoric world where having divine power equals having power, but it starts with an emotional situation of misplaced identities. The heroine transformed from a modern forensic doctor into a god. She doesn't even know what her powers are, and she lives like she's spinning in a fog. I wanted to take the initiative to pursue love, but instead, step by step, I fell into the love network laid out by the river god. The coquettish and controlling pull between the two of them, where you tie me up and escape, is written with full tension, revealing the paranoid possessiveness underneath the fairy appearance. This one can chase and stand up to the top. 👍🏻

Liu Jiao's "Rain in Wushan: The Return of the Crane" constructs a prehistoric world where divine power is power, but it begins with a love puzzle of misplaced identities. A modern forensic doctor travels through time and becomes a god, but does not know the nature of her own divine rights. This is not only the absence of a power system, but also the suspension of subjectivity - when she tries to capture love as a hunter, she becomes an emotional prisoner carefully woven by the river god. Binding and coquettishness, escape and confinement, these extremely tense interactions reveal the almost paranoid possessiveness behind the mask of divinity. The novel cleverly juxtaposes the grand mystery of the "theft of divine power" with personal emotional control. The river god's declaration that "you must die in my arms" exposes the subtle symbiosis of love and violence in the theocratic world. The various divine disasters witnessed by the protagonist - from the decisive battle of water and fire to the ten-day volley - are not only a gorgeous presentation of the world view, but also a cruel metaphor of the nature of divine power: the so-called original divine power may be the eternal cycle of devouring and being devoured. This article is wonderful and beautiful, and it is a masterpiece on the Internet!

The setting of this fantasy novel is quite novel. The logic of the theocratic system of the True God is very self-consistent. It turns the gods in Eastern mythology into "science fiction", which is quite interesting. Is the protagonist Tiandao? Hahaha, the first volume is The Reincarnation of Heaven. The protagonist has just been born. Is it Heaven? Is she a boy or a girl? If the hero is a boy, isn't this a double hero? Will the protagonist become a female later on? But it's quite logical. The body of the god is just the shell, and the soul is the real body. It's quite unique. The writing is very delicate, the description of the sacrificial scenes is very realistic, and the knowledge reserve is very rich. It's getting better and better, the world view is grand, the world line is very interesting, Bai He already likes Lanjiang, what should Shan Qing do, the second male lead is already in charge, how should the male protagonist pursue his wife?

This is a fantasy romance novel with the Classic of Mountains and Seas as the background. I personally like this novel very much for the following reasons: First, the novel is written in the Classic of Mountains and Seas, which gives the whole novel a lot of mystery. Secondly, the characters in this novel are very three-dimensional and have outstanding characteristics. The whole novel is very interesting to read.

The world view setting is quite novel, with the theocratic system, clan spirit mechanism, and earth language translation buff, the details are not obtrusive, and the settings that are slowly unlocked make the mythical world more layered.

An imaginary new fantasy based on the Classic of Mountains and Seas builds a growth system with "fulfilling the original divine power" as the core. It not only retains the magnificent texture of classical mythology, but also uses modern logic to deduce the game of priesthood, authority and order. Big scenes such as "The decisive battle between water and fire that shoots thousands of miles", "The Memory Cage", "Chaos Devouring the Sky", "The Burial of the Taiyin", and "Ten Days in the Sky" progress step by step, with both the impact of mythical imagery and the suspenseful reasoning. The protagonist still has not figured out her divine rights after "coming out of Novice Village", and is forced to be involved in the theft of divine rights. Every disaster pushes her closer to the truth. The world view naturally unfolds in the "case-solving style advancement", and the setting is solid but not empty.

The author's writing is really good. I would like to ask if I can copy some passages? And it's so graphic. After watching it, that scene immediately came to mind. It's so imaginative, I haven't seen similar themes in other novels. I would like to ask, when will the male protagonist succeed in pursuing his wife? Did the protagonist stay with him because he was just lustful? Also, can I be a double male lead? Did he like him in the end? Very urgent and want to know. I'm so tired of emotional dramas lately!

When heaven and earth become living creatures, myth becomes a hotbed of trembling. The protagonist has awakened since the end of the era, and uses "science" to measure this absurd and compassionate world with the coldness of a coroner. He has been entangled in cause and effect since his birth - all "he" is Him, unchanged since the First Age. The existence that had been waiting for millions of years in the abyss, in order to welcome His return, cut itself into two halves: one half grew up with "her", and the other half was destroyed with Him. After all, He is the God of Death, dragging the wilderness to be buried with him. This is a divine instinct carved into the bone marrow. The strange theocratic system in the East is unfolding, and gods such as Naru and Yume appear in turn. Simple cases of power theft are intertwined with funny complaints on a daily basis, asking about the ultimate propositions of destruction and redemption, humanity and divinity. The so-called "I have no control over my fate" is just the most wonderful footnote in the trajectory of fate. ————The youngest

This fantasy novel is brilliant! A highly intelligent female forensic doctor traveled through time and became a true god. She did not know the origin of the divine power behind Novice Village. She was involved in the theft of divine power and witnessed the true god's destruction and disaster. It is full of suspense and intertwined with wisdom and adventure. It is addictive.

Very beautiful fantasy! A highly intelligent female forensic doctor traveled through time and became a true god. After leaving Novice Village, she still didn't know her original divine power, and was accidentally involved in the theft of divine power. Along the way, he witnessed many disasters of destruction of true gods, thinking that he was saving the world and killing him. Only when he uncovered the truth did he realize that he was the demon god of the end of the world. When the gods fall, she needs to find a way to restart the era and protect the people around her. The plot is reversible and exciting, and the interaction is exciting. Very nice!

The concept is very stunning, the story is very attractive, it progresses layer by layer, and there are many wonderful twists and turns in many places. It is really amazing. There are some flaws in some places, but the flaws cannot be concealed. Perhaps the so-called poisonous points are the real highlights.

I feel that the world view is grand and novel, and the emotions and details are described very delicately. It felt a bit foggy in the early stages, but the more I read, the better it looked. I also felt that there was too little written. I felt that the ending was so underwritten that I was a little confused after reading it. Overall very beautiful and highly recommended

The setting is very novel and refreshing. It also has a carefully designed index and provides reading guidance. It is very thoughtful and highly recommended. It is supported by five-star reviews. I hope the author will have more exciting performances and will continue to follow up on the review!

Beautiful fantasy! The story of a female forensic doctor who traveled through time and became a true god. The plot is not cliche and the writing is smooth. The characters are vividly drawn. A very successful novel. The writing is very good, I like to read it more and more.

Shuhuang saw the recommendation and thought it was quite cliche. Unexpectedly, it was unexpectedly exciting, compact and not protracted, and the plot was full of ups and downs. The logic was rigorous and there were no flaws. It was really good!

It uses "The Classic of Mountains and Seas" as its background and builds a grand world with "theocratic power" as its core. Here, gods are not symbols of superiority, but living beings who can have their power stolen and fall into conspiracy. The rules of the world are peeled off layer by layer in the course of disasters and games. It not only retains the shocking power of mythical images such as "shooting water thousands of miles" and "ten days in the sky", but also uses the suspenseful main line of "the case of theft of divine power" to let the world view naturally unfold in the case-solving style.

The group portraits are vividly created, including the furry juvenile clan spirit Okura, the simple and brave Wu San, and the gentle and knowledgeable Teng Yu. Everyone has their own story, and the interaction with the protagonist is warm and sincere.

The story uses time travel as an introduction, the characters' multiple identities are cleverly designed, and the plot is slow but logical. The writing style is plain, paying attention to detailed description, interspersing emotional conflicts with the main line of growth, and setting a clear level. [Like][Like]

This book is indeed very special, a newly compiled work on the mythology of mountains and seas! The subject matter is unconventional, the writing angle is unique, the plot is full of content, there is no system and no gimmicks, and the cowardly heroine gradually grows into the ultimate boss who controls the life and death of the era. The epic feeling of Twilight of the Gods is full! It's so beautiful, highly recommended! ! !

The author constructs a unique world view that has never been seen before, and skillfully binds the core contradiction with the protagonist's emotional depth. The sweetness of the candy makes people curl up at the corners of their mouths, but there is always a "knife" hidden in the candy that affects the life and death of the world or the fate of the world. This ultimate combination of sweetness and abuse makes people want to stop. This book successfully blends elements from different genres (such as science fiction and mystery, fantasy and Machiavellian romance) to create a novel chemical reaction. This kind of innovation is not just superficial splicing, but an organic unity in world view and plot logic, bringing a fresh reading experience.

Grass jelly, the unexpected surprise in tomatoes, savor it carefully!