Don’t Start. Whether I’m a Succubus Is for Me to Decide

The portrayal of the three Taoist monks in this book is amazing. Each relationship breaks out of the cliché model. In the identity contrast and detailed description, it creates a depth of affection that is unique to the world of cultivating immortals. Master's love is "the unconditional support under the cold outer shell". In the eyes of others, he is an unreachable benchmark of immortality, but in front of the protagonist, he turns into the softest harbor. This kind of tolerance "only for you" is not only a sublimation of the friendship between teachers and students, but also a preference that transcends status. It makes the cold character instantly warm and becomes the most reassuring support for the protagonist on his journey of cultivation. The Demon Lord's deep affection is hidden in the "clumsy guardian behind the mask of indifference." He is indifferent to all living beings, but he blends his concern for the protagonist into silent details. Even his confusion when comforting him is so real and touching. The indulgence of "no words, no actions" fills the room with the ultimate sense of contrast. It not only fits the logic of the character of the Demon Lord, but also adds a restrained and fiery tension to this relationship. The feelings of the young master from a top cultivating family are "forbearance intertwined with inferiority and protection." The romance of first meeting with a jade pendant, self-exile after encountering an accident, the entanglement of silently guarding but fearing that she is not worthy, coupled with the telepathic connection between the protagonist's hearts, constitute the most exciting two-way rush. This deep feeling of "you shine in the light, and I protect you in the dark" has both a sense of fate and full of human delicacy, making the character three-dimensional and vivid. The three Taoist couples each have their own characteristics, but they all revolve around the "protagonist-centered" affectionate core. The difference in identity creates different expression paradigms, and the detailed characterization makes every emotion real and palpable. It not only enriches the plot level, but also allows readers to feel the pure love that spans good and evil, identity, and circumstances in the disputes between the three realms, which is extremely contagious.

Hahaha, our Zaizai is so interesting. He has followed his little dad since he was a child and wanted five Taoist companions, but he only had two and he couldn't figure it out. 🤭 It's better that our Demon Lord is sensible, not jealous, and has the magnanimity of a big family.

Ahhhhhh, it's so beautiful. I hope I won't write it too cruelly in the later stage. I don't want to take a knife. The sweet love is so beautiful 😢 😘

Or I know why you want to let the master of shou ascend to the upper realm, because if the master is really here, other palaces will not be able to get close to our shou. Is my guess right? 😊

It's very nice. It's very nice. I rarely read this kind of ancient fantasy (I guess), but the author's writing style is very good. He really brought out the cute and cunning childishness of Coco. It's so beautiful. Boss, I will always follow you🤤 (Do you really want to find five of Coco?)

It's really super good-looking, and the emotional development is very good. I'll update it soon, (~^∇^)~(~^∇^)~, it's really good-looking.

Oh my god, baby Yu Ke is so cute. At a young age, I already have the desire to have five beautiful Taoist companions. The author's writing in big letters is in line with my hobbies. He is a heartthrob, np, and he is a good baby who likes to act coquettishly.

I took a look at how many there are. I still haven't figured out how many there are. I think three is good. If there are more, it will be difficult to estimate.

I support Master Yun Yan as the main palace 🥰🥰[Admiration]

Good-looking, good-looking, really good-looking