That's Not What You Say About Your Good Feelings.

I have read Chapter 20, good reviews, high Kaiwen, the plot is not amazing, but it points to people's hearts. When a friend points out that the protagonist has been calling the person he likes "Togawa-san" instead of further calling "Yao", the protagonist's inner journey (relying on observation data to date the person he likes, do you really like it, because you are afraid of data) Decrease without daring to go further, and keep working hard to continue to increase the data. Is this really like it from the heart?) This point suddenly woke me up, because I had never thought of looking at it from this perspective, so I was surprised and felt suddenly awake. It turns out that the protagonist is not innocent in this relationship, and everything has a reason. Togawa-san's journey is because the protagonist's friend told her that the protagonist has always been withdrawn and has never been so serious. This sentence put a lot of psychological pressure on Togawa-san, making her feel that she was not good enough for the protagonist. She didn't know how to relieve this pressure, which made her feel very tired. So I chose to escape this feeling. When her friend told her about the pressure that came from the protagonist's friend, it was because she liked the protagonist that she took it seriously. Togawa's doubts were awakened, and it turned out that she really liked the protagonist. I felt that these two plots were directly touching people's hearts. It's so delicate. This kind of three views really makes people feel comfortable. Strong recommendation, strong recommendation [Sparrow Food Masterpiece]

I go, it's so beautiful, it's a pure Rikarifu, the character creation is very good, it would be better if the plot is more three-dimensional later. As for the problems mentioned by other comments, I think it is one-sided because the perspective is unfolded from the first perspective, but it is also supplemented later, so it is not a big problem. There are not many male supporting plots, which can lead to other plots and character shaping. It is more three-dimensional. From the plot, it can be seen that the events of his childhood have a great influence on the male protagonist. The character can be shaped better in the subsequent plot, but I do not recommend relying mainly on emotional conflicts to promote the development of the plot. If it is not well written, it will easily explode and everyone will become clowns (named a band named Ave). Overall, I am very optimistic about this novel. Super ★ expansion ★, how to say? Starting from the latest plot, it doesn't feel like it did before. The background of the protagonist also starts to stack boxes up inexplicably.

It just feels like a novel written by a Japanese author and then translated. It's so right. The first person is not suitable for people who have never read Nigaru, but for me, as long as it is well written, it is a bonus [laughs][laughs] Feeling the best in Riqing

A very nice Japanese novel, especially the male protagonist's charisma. It's so standard and classic. I love it so much. The follow-up is even more exciting, full of youthful fantasy [Adoration][Adoration][Adoration]

What an amazing article, twisted and complicated feelings [Adoration][Adoration] The author writes about the super power of seeing the favorability level very realistically. The super power does not bring happiness, but a curse. Even if the story ends and the male protagonist is with one of them, the woman will not be in love with him every day, and there may even be accidents that lead to bad luck. When the favorability drops, the male protagonist will be affected if he can see the favorability. He will feel sad and collapse because of the decrease in favorability. He will have to excuse her. She is in a bad mood today or something. He tells himself not to think nonsense or doubt the relationship, but he will still be affected by the favorability. It's a complete curse

Well, a rare thing, 99%~ This smell of a male protagonist with low self-esteem, eh, this is it, okay, then it's time to get to the point. As mentioned at the beginning, this article can definitely be called a very pure Niqing. I think the best thing is to write out the estrangement and inferiority complex of the male protagonist who still has good intentions after being frustrated many times, but at the same time is afraid of the good intentions of others. While writing this contradiction, he also has his own characteristics in shaping the female characters, classic class Bai Yueguang The goddess, the student council president, the silent music girl, and the recently introduced adopted sister (Onodera is a famous friend, so I won't count it for now, but this does not mean that Onodera's writing is not good) are all very classic elements, but the writing is by no means the kind of assembly line-like characters. First of all, Togawa's hesitation or confusion of adolescent girls is quite right, whether it is his sudden and courageous refusal to confess, or his later tenderness towards the male protagonist. The confused self-reflection is a must-have episode in the youth campus. Secondly, Chisa tells the truth. This character is a character who I already know the ending but I want to be a curious process. Although I personally guess that the follow-up may be to overcome the past as an opportunity to join the battlefield, but the current interaction between Chisa and the male protagonist is also quite interesting in my opinion. The aloof music girl who is thousands of miles away only treats me differently (of course the protagonist currently relies on the favorability system. Of course, it is not the same) It may be the kind of classic campus comedy), but it has to be like this. I watch it. If it is not distorted, I will not watch it. The highlights of the remaining two presidents who just recently killed Togawa in the student union are really good. Chuan An secretly declares war (brothers are right, humble girls are right), and my sister-in-law is still gathering her skills and looking forward to her actions, but all in all, this article is definitely a very pure and interesting Japanese light article, I like it, love to read it, Haochi😋

Ahhhh, this familiar feeling of stomach pain really makes me feel like I am back in my youth! Although my youth has not passed yet, the description is so great. The confused and throbbing hearts of girls and boys are really ready to be expressed. The use of this word is a bit weird... All in all, a good book

This is a masterpiece. At first, I thought it was just the kind of cool novel where the protagonist relies on super powers to pretend to be a harem and make Xiaoyao regret it. However, it turns out that this is not the case at all. The heroine written by the author is really fascinating. When I saw the protagonist planning to get rid of her father in order to save Shizuku, I was so excited! ! ! ! The school girls who live together are even more addictive. I really like them so much. If there was a girl who treated me like this in real life, I would marry her immediately. As a result, President Tachibana appeared later and it was difficult for me to make a choice. Because of the constraints of the protagonist, I was willing to wait for more than 10 years, and I pushed aside everyone and wanted to be my lover. How should I choose? ! You are all my wings! ! ! ! ! ! I'm even more looking forward to the follow-up sister line and Yao's secret (shaking m?). Just watch it! ! ! ! !

Recently, I have been short of books, and I accidentally came across this book. I personally feel that this is a very good Japanese light novel. The narrative method of combining first person and third person is very novel. The overall reading experience is comfortable and full of pictures, which is very consistent with the Japanese light novel. The character setting and plot are also very good, and there is nothing uncomfortable. The general plot is as follows: The male protagonist has the ability to see how others like him, so the way he gets along with his friends is often affected by changes in numbers, which causes him to gradually feel pain and suffering. The subsequent development of the story also revolves around the core of the male protagonist trying to get rid of this pathological relationship and seeking change. Having said that, after more than ten years of accumulated influence, it is indeed difficult to achieve real changes. If the character can completely change immediately, it will appear unreal and human enough. The author's description on this point is very realistic, and he has a very delicate grasp of the male protagonist's emotional changes and psychological details. It can be seen that although the male protagonist has not yet made a substantial change in his behavior, it can be clearly felt that he is working hard to "change" through getting along with others. In terms of character, the male protagonist is very Asasi, but judging from the way the male protagonist handles provocations from classmates and other plots, his character is calm. Although Asasi, he is not as weak and bottomless as some male protagonists. And the handling style is also very rational, which is good. The beholder is in the eye of the beholder. Maybe for some readers, the relationship between Edo Yao and the male protagonist who clearly likes each other but hides and pulls them back and forth due to psychological reasons is considered a poisonous point. However, the main label of this book is "multiple female protagonists" rather than "single female protagonist". The author probably wants to use this method to help the male protagonist create better opportunities to get along with other female protagonists. I feel that from this starting point, there is nothing wrong with pulling. If both of them can express their feelings directly, what chance do other heroines have? But one thing that needs to be complained about is that although from the perspective of the male protagonist, the relationship between himself and his friends is false. But from a reader's point of view, except for one gay friend, the rest of the male protagonist's friends are all girls, and he questions himself because of the minor issue of favorability. It is a bit difficult to constantly internalize himself. I suggest you sit at a table with "I Have Few Friends but Many Harems" and "My Youthful Love Story" [crying]

It's great, great, but it's obviously Riqing, why does it become heavier and heavier later on? I should change Riqing to Rishong [face covering] I hope the misunderstanding can be resolved soon. The problem of a troubled girl can be cured as soon as possible. Sometimes my stomach hurts when I see it.

Good-looking, a rare male protagonist with a dark past and the character of Asasi. The biggest highlight of this book should be the past or present rescues and intense emotional disputes of each heroine. The protagonist is not a turtle or a violator, but he also longs to be recognized by others and get the happiness he wants. This kind of character is definitely my favorite in this genre. The character creation is also good, each character has its own flaws, and the popular jealousy and rescue dependence are also well written. But in fact, there are still some points to be said, such as "the desire to advance is suppressed first" in some plots. The female protagonist is in danger first, and then the male protagonist uses his own methods to save her. This kind of plot is a bit concentrated, and it gives me a feeling of how this high school student has encountered so many shit. Of course, the overall look and feel is pretty good, and it looks pretty cool. All in all, this book is really well written, and in my opinion it is completely top-notch. Good luck to the author.

After reading the current chapter, it feels like a "light novel". Judging by this standard, it can be said to be well written. The work gives people an "awkward" feeling, which affects the perception to a certain extent, but the work itself has such an extension, so even if it "feels awkward to look at", I still want to watch it. This is the charm of this type of work. At present, it seems that the male protagonist from the first perspective is the "core of gravity". Although it was said from the beginning not to be controlled and tortured by favorability, it seems that many times it is still affected by this aspect. I am still looking forward to this plot arc.

It's pretty good, and the description is spot on. But just... I look so tired and feel so weak. The mind can't help itself, the body follows it, and is led by the nose by the person who brings trouble. It is not happy, but it does not refuse, and there is a sense of indestructibility.

It's good-looking, the plot is reasonable, and it's full of foreshadowing. It's better than 90% of the articles on this site. Let's talk about the advantages first. Everyone is not designed with labels, which is simply overwhelming for most works of the same type. Each person's character has its own "pull". For example, the core protagonist does not blindly pursue this value, but says he no longer relies on the value, but still insists on it in his heart. Jiu Hui cares about such a contradictory three-dimensional, and at the same time, it also has the biggest characteristic of three views. The behavior of many other heroines is not flat, but ambiguous and mysterious. The heroine's behavior is completely unpredictable to the readers. In this regard, it is out of routine and is a serious creation. In terms of the plot, many places are a little deliberate, but if you don't think about it carefully, you can ignore it, because otherwise it will appear that the protagonist is a bit incapable of doing things, but still has flaws, and the development of all the female protagonists is reasonable. It is not that what the protagonist does will be rewarded, nor is it that the protagonist conquers the female protagonist with just a trivial matter, but now looking at why the female protagonist has a good impression of the male protagonist still needs the author's writing power, I hope not to fall into the cliché. On the golden finger, only one number is displayed, which undoubtedly makes readers preconceptions that this is the favorability level. Even if the protagonist thinks so, but if done properly, it will undoubtedly be possible to reveal the secrets of multiple heroines' emotional lines, Shura fields and this value in the later stage. There are also shortcomings. For example, the possessiveness of the protagonist in childhood could be more reasonable. The interaction between the protagonist and his unrequited love could be more. In my opinion, the protagonist has no reason to be obsessed with her. Also, it is not good to write the heroine's perspective in this kind of work without any foreshadowing. If the story of the heroine and the hero can be basically written and the heroine's perspective can be written, the plot will be more reasonable without missing the perspective. There are also some heroines whose actions actually have no sense of space and time. It is as if the author needs this heroine to appear, so she appears, which does not seem very reasonable. As a reader, I look forward to adding more characters and more events in the future, so that the protagonist can influence the heroine while the heroine also affects the protagonist, such as what the protagonist learns and what the protagonist remembers. I also hope that the "name" can be emphasized more. After all, there are indeed many heroines, and there may be more in the future, so it is important for readers to remember their names. Of course, the number of heroines, even if it is a hundred, as long as the author can grasp the number of heroines, and not be stingy with his ideas while allowing readers to accept them, the story will not be messy. In short, I look forward to the author's follow-up content, and I will continue to follow it. If the popularity becomes popular, the rating will definitely be very high. However, the author's writing in the first person will dissuade most readers. I think this may also be able to screen out good readers. Good readers will respect the reality of the work instead of abandoning the book as soon as they see a third person that they don't like. If there are readers who care about this first person, then I hope you will read it patiently.

The most tiring book I have ever read. I even stayed up late to finish it and almost failed the exam without reviewing. I have to say that the male protagonist is really a pressure cooker. If it were me, I would have cut off ties with everyone or transferred to another school. It was too painful to bring a prison perspective to the trio. Especially when I saw the so-called "compensation" from his sister, I really felt sick to my stomach (really, really uncomfortable). This novel allowed me to see the twisted side of human nature, including domestic violence, cold violence, and the irreversible consequences of various misunderstandings. Only the protagonist's rescue and companionship of the heroines can make me breathe in such a high-pressure environment. The author who can write about this must have personally experienced it (bushi). All in all, if you can handle the pressure, reading this book will definitely be worthwhile, but if you can't, read it with caution. Author gkd, I'm going to be in the finals week. Please update a few more chapters before I review [crying][crying][crying]

Well, I give it four stars, three stars for the plot, and one star for the author. For this book, let me talk about the advantages first. 1. The character's psychology is relatively in place 2. The transition of the plot is smooth and there is no abrupt place. 3. The author portrays the psychological ups and downs of the protagonist well and has a sense of hierarchy, which can make readers curious. OK, let's talk about the shortcomings 1. There are too many characters and the plot is too long. The audience cannot focus on a certain part of the plot. 2. The foreshadowing of the plot is a bit stiff, and it feels like there is nonsense underneath. 3. The rest of the characters are not clearly portrayed. If the previous plot is long, some readers may forget it when transitioning to the later part (of course, this has something to do with too many characters) 4. The male protagonist has a gentle personality, but is too sad and indecisive, and feels disconnected in the relationship between the characters (actually it is not bad, but the author's description of a plot is too long and mentioned repeatedly many times, which makes me feel tired) Let me say so much first, I have only seen half of it

So far, the one with the best impression is the protagonist. For those who like the protagonist, Orange is better. The others are pigs. My sister will not comment for now. Although Black is a pig, he is better than Haruka. It is referred to as "God and his four divine friends", "My brother's sister who controls me actually likes me", "My sister who hates me actually likes me", "The super killer is tired of the life of a killer and becomes an ordinary high school student" I feel that this kind of novel is not suitable for Tomato. After all, everyone is here to read daily life or cool articles. It is really not suitable. The author expands too much, and there are some female protagonists. For example, the sister of the male protagonist's best friend originally liked her brother. This is not a poisonous point, but from the perspective of cool articles, it is a poisonous point. Most of the stories on Tomato have multiple female protagonists or read cool articles. , Either watching Shura Field, or watching Sweet Love, but you have so many things going on, and the protagonist has a big event every two chapters. Although I think it is not bad, the protagonist is too stressed, and the pressure is high, which will also make the readers more tired. Everyone is here to relax. Although the previous two chapters of a big event are exaggerated, but it is almost the same. The reason for talking about the protagonist Turtle Man is probably because they see it from God's perspective, but another point is that some people regard this as a cool article, which causes the things the author wants to write to be toxic to readers of the cool article. I suggest you make it clear in the introduction that this is not a cool article or slow-burning. After all, the most likes I read are negative reviews, and I was wondering why? After all, this book is considered a good book, but I think the rating is low.

It has a strong Japanese light novel feel, focusing on the characterization of the characters. However, at the 72nd chapter, the main plot is tight and the characterization may be insufficient. I look forward to the future development, and the excitement is not enough. The only positive climax should be the two-way love between good gay friends. The protagonist is still struggling with his happiness

A very good book at the beginning, with a strong flavor. So far, more than a hundred chapters have been updated. After reading The End, I feel that it does not meet my personal expectations. Partly because I prefer to read the relaxed content mentioned by the author. On the one hand, there is a slight separation between the front and the back. Although the appearance of the shadow does a good job of explaining what some readers think of the deus ex machina, it leads to the fact that the male protagonist once belonged to a certain organization and then promoted the development of the relationship, but the content is a little off. As the first half of the audience, I do not like this part of the content. I hope to see the male protagonist's relaxed development as soon as possible after he understands the true meaning of the numbers. In addition, I personally feel that there is nothing wrong with the two supporting characters, Maeda and Onodera, and they are well portrayed. I feel like the one with the most empty character so far is Chikage Tachibana, who has a very lovable character. Finally, I recommend anyone who can be attracted by the title of this book to read it. I think it is in line with most people's appetites. The pull after reading is relatively normal in Tomato. The overall atmosphere is currently depressing. But I believe that the author wrote the book with a clear idea, and the following content will not disappoint everyone.

It was really painful to read this book. The reality penetrates deep into the bone marrow. The contradiction that arises when fantasy and real reality blend together are sharper than swords, more intense than fire, and more powerful than explosions. What can shatter everything is the distortion in the human heart.

After reading Chapter 99, I will take a moment to write a comment. I read the comments and found that many of them said that Chapter 85 was poisonous. Maybe it's because I've seen more plots in this area [laughing evilly] and didn't feel it was too poisonous. However, I really can't accept the male protagonist's deus ex machina fighting ability. Without any foreshadowing (probably), a character who was originally quite timid has become extremely powerful inexplicably. Moreover, after Chapter 85, there were a few more fight scenes, several new characters appeared, and the whole style of the book suddenly changed... In the end, I think this book is still worth reading, even if you only read Chapter 85. However, it is recommended not to comment (there are spoilers).

The first few chapters are quite good, but the storyline between Maeda and Onodera is so complicated and weird that I can't describe it. Maeda Yui's plot is also a bit shocking and needs to be resisted. I don't know if Hiiragi Chisa's hole can be filled. Togawa Yao will not comment. The old girl is okay, and Kurokawa Shizuku and President Kurokawa Tachibana's portrayal is good. My rating is 3.5 Stars, give 4 stars to encourage creation

The writing is very good. The use of the first person will not make people feel weird, and the multi-perspective narrative method can also well shape the image of other characters in the first person, and each character has flesh and blood. It's really the best book I've ever read. But neither the title nor the cover is particularly attractive. If it weren't for the lack of books, you wouldn't have noticed it when you came in. Just change the title and cover and it would be perfect.

The first 80 chapters are a very standard youth romance novel, but the later chapters are super expanded, and it feels like a 40-meter-long sword has been drawn directly. The main reason is that there is no foreshadowing, which makes it a bit unexpected, but it is not unreadable. However, the emotional writing is very delicate and very good. The distortion and heaviness are delicious, and some foreshadowings buried in the male protagonist's perspective can also be seen that the author has an outline. Because it is mainly from the perspective of the male protagonist, and some chapters are from the perspective of the female protagonist, the perception of the male protagonist is very important. At present, as long as you can accept the character of the male protagonist and his "cowardice" in the early stage, and see the climax of the plot in Chapter 116, you will not be disappointed if you continue reading. I want to see the growth of the male protagonist in the future. For example, I really don't rely heavily on the favorability value. Apart from that, what about the daily funny campus life that I want to watch? One link after another directly explodes with pressure. To sum up, the first 80 chapters are to see if you can accept the daily writing style. Chapters 80-116 are almost super-expanded. After basically reading this, you will know whether this novel is in line with your taste (P. S. Does anyone know if the author has said that it is he? I don't know how to use a knife)

The feeling of lightness is amazing. The female protagonists are not stereotyped characters, and the writing style in Tomato is absolutely top-notch. I probably can't find this feeling of lightness when I go to Kingdom of Light. The male protagonist's psychological activities, and the female protagonists have a sense of "gravity" from beginning to end. It's amazing! Invincible! I want to single out the author!

The extremely delicate writing style, smooth rhythm, and full sense of immersion are the outstanding features of this book. I can feel the protagonist's exhaustion [love] and [like] through the screen. The author's description of the twisted youth literature is also very vivid, and it is very interesting to read.

This is the best one I have seen in a while. The first person has no impact on reading. If you have been reading in the third person, you can adapt quickly. The writing is excellent and the plot is exciting. I hold the banner for my sister [crying] [crying]

So far, I have a good impression of it. It is a very tasty Niqing. But as usual, I would like to ask, will it be a hateful stock trading article (choose one in the last n). Please be sure to answer me if the author sees it🙏🏻

Let's talk about the conclusion first, super big cup! Smooth writing and rich emotional lines, first-person perspective but not awkward and abrupt. In the middle, I thought it would turn into a lousy plot about opening a harem in a few words, but the excitement has just begun. The different handling and advancement of the emotional lines of the multiple heroines later show the author's comfort zone. I haven't seen such delicate emotional lines in a long time. This track is also the first echelon in Tomato.

I started reading light novels in 10 years ago. This novel can be said to be excellent in terms of writing, plot and character description in Japan. Unfortunately, the domestic audience is still too small. I suggest the author also translate a Japanese version for export, which can completely kill a lot of Japanese light novels currently published.