When Lin Wei, a modern legal attorney, opened her eyes, she was transformed into Lin Weiwei, the vicious and jealous heroine in "Inkstone and Fire" - she just woke up and encountered the plot ending of "pushing Su Wan at the subway station". She used her legal thinking to break the situation: throwing the murder weapon, recording evidence, and rejecting the competition. Instead, she revealed suspicious traces of Shen Yanzhi's car accident.
In order to find out the truth, she teamed up with Shen Yan's cousin Shen Yi (the man who had the same light mole as her cousin but knew better about law and construction traps) to find clues to commercial crimes from the tampered post-operative documents; she also accompanied Su Wan to get rid of her obsession - she no longer relied on pain to recall memories, but used illustrations to hide the details of the car accident as evidence; she also reminded Jiang Xu who had lost his body: "You are not a substitute, you are an individual who can choose your own life."
This is an extension of "Inkstone and Fire". When I was writing the original book, I always regretted that Lin Weiwei was trapped in the female competition of the "evil female partner", so I wanted to give her another possibility: not to steal love, not to harm others, and to use professionalism to change her destiny. I also want to complete Su Wan's ending: losing Shen Yanzhi is not the end. She keeps her memories and uses her paintbrush to become a key force in the investigation.
If you haven't read "Inkstone Heart and Fire", you might as well read here how a group of people use reason to break up tragedy; if you remember Su Wan's tears and Jiang Xu's struggle, then this book will tell you that everyone trapped in the plot can live a new ending on their own.
