Liu Shisan returned to Yunbian Town and reunited with his grandmother and Cheng Shuang, who was seriously ill, at the canteen. Cheng Shuang used a paintbrush to record the aroma of sugar cakes, the setting sun at the ferry, and the wrinkles of her grandmother. Each painting is a representation of unspoken love and longing. When parting comes as expected, those paintings become letters that span life and death. In the small town where the fragrance of cinnamon lingers, they finally understand: some people are engraved in the years and never leave.
Note: The adaptation is just another attempt at literary expression. It does not chase traffic or seek personal gain. It respects the core of the original work and copyright regulations throughout the process, and only serves to convey the ideological value of the original work. Think about turning Yunbian Town into a spiritual home where love and memory last forever, allowing everyone to believe that the truly important people will never really leave, they just live in our hearts in another form.
Reader comments
The content is very detailed and not too much has been changed from the original, leaving a happy ending to the original regrets.
The content is very detailed and not too much has been changed from the original, leaving a happy ending to the original regrets.