Traveling to a parallel world with cultural gaps, Chinese mythology is regarded as dross.
Others make movies, but I make movies about the entire Chinese civilization.
In my "Journey to the West", the actors are all over the sky with gods and Buddhas, and the set is all over the world.
In my "Water Margin", one hundred and eight generals are all true heroes, and the imperial edict is stained with blood.
In my "Romance of the Three Kingdoms", the mourning of Wolong really angered Zhou Yu to death, and the decline of the Han Dynasty was related to the fate of the country.
In my "Dream of Red Mansions", the plants and trees in the Grand View Garden are full of emotion, and when the song ends and everyone disperses, I can really cry down the tower.
From the earth-shattering shock to the beacon smoke at Chibi; from the gathering in Liangshan to a dream in the Red Mansion.
When the flame of civilization was rekindled by me one by one, the whole world began to understand——
What we tell is never just a story, it is the root and soul on which a nation depends for its survival.
