The parallel world of guardians
In 1940, on the war-torn Shanghai beach and on the swaying mountains and rivers, faith and love trembled under the muzzle of the gun.
Gu Yangshan, the chief of the first section of the Kuomintang's Military Intelligence Department, is from a well-known family and has a handsome demeanor, but he is burdened with the heavy secret of betraying the Communist stronghold five years ago;
Ding Yi, the deputy leader of the Communist Party's "Kunlun Group", codenamed "Blue Bird", was born as an orphan, is calm and decisive, is Xian Biyun's only younger brother in the orphanage, and is also Gu Yangshan's once deeply loved but broken lover.
Five years ago, because the Kuomintang leaked secrets to Japan, the Communist strongholds were massacred and comrades sacrificed. Ding Yi and Gu Yangshan parted ways in blood and fire. One insisted on his faith, the other was trapped in the system. They became enemies of each other, but they never forgot them.
Five years later, patriotic entrepreneur Wu Xuewen - a key figure in the CCP's underground transportation line - was arrested by the Japanese invaders, and his life and death were on the line. The Kuomintang and the Communist Party were forced to join forces briefly in the face of national justice. Gu Yangshan and Ding Yi reunited in a crisis-ridden mission.
The old feelings are not gone, the suspicions still exist, and Xian Biyun's hostility towards Gu Yangshan hangs like a knife.
During the rescue operation, the three were involved in a whirlpool of betrayal, loyalty, faith and redemption.
When the mountains are set ablaze, who will find their original intention in the ashes? Who lights the way home in the darkness?
This is an affectionate look back at "reunion after a broken mirror", and it is also a tragic symphony of love and faith when the family and country are in danger.
Reader comments
Personally, I feel that the progress is too fast. I only write two chapters for one thing. It would be more appropriate to describe more details of the scene, intersperse some foreshadowing, add some sensory experience, and psychological description of the action. Otherwise, it will be too bland, too literary, and the characters will be too OOC, especially Ding Yi. The characters' personality traits were not shown, and they all felt bland. It's too light. You need to describe the characteristics of the characters, or you can write about some characters' small habits and hand addiction. [Sending Hearts]
Personally, I feel that the progress is too fast. I only write two chapters for one thing. It would be more appropriate to describe more details of the scene, intersperse some foreshadowing, add some sensory experience, and psychological description of the action. Otherwise, it will be too bland, too literary, and the characters will be too OOC, especially Ding Yi. The characters' personality traits were not shown, and they all felt bland. It's too light. You need to describe the characteristics of the characters, or you can write about some characters' small habits and hand addiction. [Sending Hearts]