When Xiangwan was repairing the fragments of the "Ten Fruit Shoes", she was pulled by the embroidery stitches and fell into the Great Yong, and her soul passed through the body of the orphan girl of the same name. The original person was expelled by the Weaving and Embroidery Bureau because he did not know how to embroider. When he was about to die, he awakened the intangible cultural heritage power - the embroidery thread on his fingertips can solidify fragments of time and space.
She discovered that the time and space of Dayong was being destroyed by the powerful minister Xiao Yan using the "circle gold needle method" of Beijing embroidery: ancient embroidery in the palace mutated frequently, and folk embroidery artists were persecuted. In order to protect the intangible cultural heritage and the order of time and space, Xiangwan used the "ten fruit pattern" of hand embroidery as the key and used "high-filling fish bone embroidery" to repair the misplaced embroidery nodes, gradually uncovering the thousand-year-old origin of Jin embroidery and Beijing embroidery - it turns out that the "ten fruit shoe" embroidery pattern is the anchor point of ancient time and space.
Xiao Yan wanted to seize Xiangwan's blood to refine the "Time and Space Embroidery Scroll". She teamed up with folk embroidery girls to set up a situation with Su embroidery's "double-sided completely different embroidery", used Shu embroidery's "turning and twisting needle method" to strengthen the time and space barrier, and finally used the "Secret Thread Tightening Technique" of pull embroidery to reconstruct the chaotic time and space, allowing the intangible cultural heritage embroidery art to return to the world, and she became the guardian of time and space connecting ancient and modern times.
