The End of Ten Lifetimes: I Slay Immortal Emperors with the Scroll of Time

To be honest, the writing is actually quite good, but the group portrait also needs to have a sense of the protagonist's presence. The protagonist of the third life disappeared for at least 40 chapters. What you said at the end, no one read it, and no one rewarded it. Relying on a meager income to reach 1.5 Million words is also very impressive. How can I say that the novel is a stamina? But I believe that if I finish the whole book, it will definitely become a hit!!

The writing is very good, but there are too many female supporting characters in the third life. I personally don't like watching harem ❤️ I feel like the plot is a bit too drawn out at the end, the battles take too much time to describe, and I still have a lot of blood left to explode. I hope the rest of it can be faster, but the writing is still very good 🙂

(Spoilers involved!) It can be seen that the author has writing talent, so write a long review. The most common way to write this kind of reincarnation story is that each life has a different world view, but this will turn into short stories, which is not interesting at first sight. The first three stories of the author all take place in the same world view, and the time intervals are very short. There will be a lot of interactions in the stories of the second and third lives. I feel that the author's problem mainly lies in the lack of an outline. The author's writing power is enough to control the entire story, but he writes as many thoughts as he wants, and the protagonist often disappears for dozens of chapters. Also, the battle scenes are a bit delayed. Why is the sister of the Gu Zun Alliance so busy all the time? Why does she have so many tricks? As for Wu Suzhen, the biggest highlight mentioned by other reviews, I think the rest of the story is fine, but there is a section about her indescribable relationship with a certain general of the Qin State that is really hard to understand. It's okay if you messed around with the protagonist before you met him, but why do you still mess around with him after falling in love with the protagonist? If you don't love the protagonist, leave the plot of saving people to Xiao Longnu. If you do, it's inexplicable and messy. The five stars are mainly for the author's worldview shaping and writing skills, but the plot design can only be given to NPCs, and the character creation (mainly referring to the protagonist and the two heroines) is finished.

The plot is smooth, the golden finger is just right, not too brainless, and the characters are clear! This is not a routine article, a template article, or a five-star review! Let me mention here that many readers and friends say that the character Wu Suzhen is poisonous. How to say this... I want to portray the heroines who have appeared before in different ways. Wang Cuihua in the first life, Nan Zhiyi in the second life, and Long Ling'er in the third life can all be regarded as relatively traditional good women. Therefore, what I want to write about Wu Suzhen is a little different. She is not essentially a bad woman, she can only be said to be more romantic. Wu Suzhen's dedication and love for the protagonist are real. After Wu Suzhen got together with Li Yiheng, she also cut off the past and devoted herself wholeheartedly to being good to the male protagonist. Some readers may not be able to accept it, so please bear with me.

Feudal Superstition Shuangwen Party has more poisonous points. It is not strong in the early stage, but is very strong in the later stage. It is a semi-competition for hegemony. Moreover, the struggle between countries in this novel is particularly good. It uses the protagonist as the main line, unlike other novels, which all use other characters as the main line. The protagonist is soy sauce, facing the invasion of the demons, the human race is united, and the details are good. I will review it later.

To be honest, this is the first time I have seen such a well-written novel, with unique features and attention to detail in describing the characters. The only flaw is that sometimes it over-describes other characters and neglects the protagonist.

It's pretty good, better than 99% of the simulations. Can you write more about the protagonist? I always write about the national wars of other countries. I write dozens of chapters at a time. It is very uncomfortable to read like this. Moreover, the descriptions of scenery, characters, expressions, and countries are all like classical Chinese. It is aesthetically tired and very watery! Very watery!

The author has been updating very quickly recently, and I have seen the latest chapter now. I feel that the author wants to write a group portrait, but I feel that the author has some problems in plot promotion and world view. The author cannot let us understand how the world has changed through some descriptions of the protagonist. Instead, we should take advantage of the background of the protagonist's retreat to write more than a dozen chapters to write about the changes in the world and the stories happening outside. When I'm chasing a book, I may not see the protagonist appear at all for several days.

It's great. I saw this last one yesterday. It can be said to be the best I've seen in recent months.

Come on, author, you will definitely read this book. This is definitely one of the better Tomato simulation fantasy templates.