[Two male protagonists] + [Historical Tong]
NOTE: All characters are adults.
It can be said that Ijevic's life before the age of 18 was spent in a honeypot.
As the only son of Grand Duke Michael, the younger brother of Tsar Nicholas II, Sandro was born a proud son.
Reader comments
The core plot and conflicts are completely unfolded through character dialogue. The progression of questions from "whether to trust" to "whether to trade" directly promotes the development of the plot without the need for additional narrative preparation, making the conflict concentrated and sharp.
The dialogue accurately differentiates the qualities of the two people. Sandro's lines are full of questions and prejudices ("Jew", "betraying my lord"), combined with actions such as "looking directly", "standing up", and "turning around", highlighting his impulsive and paranoid character; Georgi's short and soft responses ("yes", "yes") reflect the unspoken contradictions hidden in his gentle and firm dialogue. Sandro repeatedly emphasizes his hatred of Jews, which is actually an inner self-struggle (internal conflict) of "wanting to make a deal but not being able to overcome the prejudice"; Georgi's proposal "not to deal with him" implies a euphemistic refutation of Sandro's prejudice, forming an external conflict between the two people's positions.
The physical descriptions interspersed between the dialogues (Sandro "looking directly", "slightly wrinkled face", "turning away", Georgi "replying softly"), materialize the characters' doubts, disgust, determination and other emotions, making the dialogue more visual and contagious. Good books support the author and look forward to more exciting things
The core plot and conflicts are completely unfolded through character dialogue. The progression of questions from "whether to trust" to "whether to trade" directly promotes the development of the plot without the need for additional narrative preparation, making the conflict concentrated and sharp. The dialogue accurately differentiates the qualities of the two people. Sandro's lines are full of questions and prejudices ("Jew", "betraying my lord"), combined with actions such as "looking directly", "standing up", and "turning around", highlighting his impulsive and paranoid character; Georgi's short and soft responses ("yes", "yes") reflect the unspoken contradictions hidden in his gentle and firm dialogue. Sandro repeatedly emphasizes his hatred of Jews, which is actually an inner self-struggle (internal conflict) of "wanting to make a deal but not being able to overcome the prejudice"; Georgi's proposal "not to deal with him" implies a euphemistic refutation of Sandro's prejudice, forming an external conflict between the two people's positions. The physical descriptions interspersed between the dialogues (Sandro "looking directly", "slightly wrinkled face", "turning away", Georgi "replying softly"), materialize the characters' doubts, disgust, determination and other emotions, making the dialogue more visual and contagious. Good books support the author and look forward to more exciting things