Su Wan is bound to a quick transmigration System, only to discover that she is always the tragic supporting female character in the plot, a stepping stone who serves to highlight the original heroine's halo and make other people's love stories come true.
The System warns her: Finish the plot, and you can come back to life.
Su Wan smiles. "Okay."
Then she turns around and tears every world's script to shreds.
· In an interstellar prison, she is "Nightingale," a prisoner who makes the cold-hearted warden beg her not to leave, eyes red with tears;
· In the entertainment industry, she is a vase-like star mired in scandals, making the aloof movie emperor break his rules for her on and off camera, giving her everything he has;
· At the summit of the immortal sects, she is a jealous junior sister, making her cool and aloof master shatter his Daoist heart for her;
· In an ancient household, she is an ill-omened daughter born to a concubine, cherished for a lifetime by a sunny young general;
· In war-torn Republican-era China, she is a fake heiress who walks beside him through the dark, yet in the end they take different paths;
· In an infinite game, she is a pretty vase meant to be admired, becoming an indelible mark on the strongest player.
The original heroines have complicated feelings about her, while the male leads, split into fragments, go mad for her.
When the ultimate truth is revealed, this endless transmigration turns out to be the most heartfelt confession she had forgotten, and the longest goodbye.
[Brilliant, cool-headed heroine VS male leads who go mad for her, sweetness and heartbreak intertwined, intense emotions]
