
A Guide to Setting Things Right on a Horror Movie Set
恐怖片场纠正指南
- Status
- Completed
- Length
- 333k Words
- Genre
- Mystery
- Subgenre
- Female-Channel Mystery
- Updated
- 1y ago
- Source
- Fanqie
Synopsis
158Chapters
12Reads
5.5Score
4Listens
18.8kReads · all time
More by this author
In booklists 2
Looking for Western Horror Crossover Stories Featuring Annabelle, Silent Hill, The Conjuring, and Final Destination
Looking for books like "In a Horror Variety Show, From the Start I'm at Crystal Lake". "The Silence", "It", "The Nun", "The Cabin in the Woods".
103Books1.5MViews11dUpdated
Looking for No-CP Infinite-Flow, Level-Up, or Rules-Horror Novels
Looking for stories like "The Ten Days' End". Any novels similar to "The Ten Days' End", "Rules of Horror: My Family Is Not Normal", or "The More Feminine the Car, the More Ruthless the Driver"? No romance, no dumbed-down plot, sound logic, and no saintly protagonists. The protagonist should be clever and decisive.
52Books1.9kViews2moUpdated
Reader comments 36
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To be honest, I really don't like this kind of heroine. She knows that the hotel will drive people crazy and she takes her parents there until they are close to mental collapse. Then she watches Carrie being bullied and talks about wanting to protect the beauty of the world and make people around her happy. The result? Watching Carrie being bullied, you really are too lazy to do anything if it doesn't happen to you, right? You're taking your egoism to the extreme, saying one thing and doing another, right?
When I was a child, it was just that I had no ability to prevent the tragedy. I said it was about facing fear or something. I only saw putting my parents in danger, and then there was the witch Carrie. The heroine knew what was going to happen next, but she just watched. When something happened, she knew how to scream, but I didn't see the heroine doing anything to avoid the tragedy 😅. This plot is very contrary to the mentality of the heroine. She talks about actively facing the solution over and over again, while still waiting for things to happen. It's too 6
It seems that the protagonist is working hard to improve, but in fact all the truly efficient promotion assaults are abandoned. The Warrens, the priest, these are all available resources, but in order not to be involved in the whirlpool, they actually do not escape. The author's writing is not good at grasping the plot, so there is this huge contradiction.
The character of the heroine is too unpleasant, especially in the chapters of The Shining Hotel. It is clear that the heroine's father is not planning to go there. The heroine knows that there is danger there but still insists on going there and drags the whole family with her. Moreover, I really think she is a bit arrogant about the description of the protagonist's psychology before going. How can a mortal with stronger physical fitness have the confidence to protect his family 100%? If the protagonist's father is really completely controlled and can't listen to a word, the full price is 40,000 yuan. Even though I have met people who know about supernatural things, I haven't asked them for advice [laughs awkwardly]
When I saw Chapter 87, I liked the subject matter, but there were too many unreasonable touches. The way the plot is promoted is inexplicable, and many dangers are brought about by the heroine herself. Bad seeds are difficult for children to avoid. The town of Derry needs mental strength more than physical strength. If the roommate does not deal with it, it will affect him. It will be fine if his mentality changes after Carrie's incident. 1. The Warrens should not have given Annabell a gift. Even if Annabell may have replaced the gift herself, the article does not mention it. This information should not be left to the reader to guess. The heroine did not ask the Warrens for relevant information. She could have asked for help after the first abnormality occurred, but the way the article dealt with it was to reinforce the cabinet [petrification] is of unclear significance. 2. You don't have to go to Crystal Lake at all. How can a 7-year-old girl have the confidence to handle this? 3. The Shining hotel was driven by the heroine and sent her whole family into danger. She said she loved her parents while letting them stay in the hotel without any warning. Even if you say you feel something is wrong? I say that I don't want others to find out that I am unusual. The problem is that the heroine's behavior is completely different from ordinary people. Your teenage daughter is proficient in using weapons and is calmer than you in dangerous situations. Do you think it is normal? [What] 4. Texas Chainsaw, the heroine Ming Knowing that something was wrong, they didn't remind their parents, didn't insist on staying, and didn't even call the police, so they just followed it 👍 5. Fatal Curve is even more awesome. They just encountered an incident, and the two of them drove down the side road without warning. Did the dog eat the horror movie they watched in the previous life? It's okay for the heroine to be involved in danger herself, but why is she dragging her friends with her? You have trained yourself, but your friends have not. You are not a big shot who can protect your friends. You are not careful even though you know that the world is full of horror movies. In the end, the beauty of the two people left a psychological shadow 🤦 6. Haven't you seen Silent Hill? I said I like horror movies, but I should know that even if I haven't seen them. I just said that I'm not ready yet and it's not the time to go. Then I got the text message and set off. [What] I can't stand it anymore. It's entirely what you think of, and most of the reasons for participating in horror films are far-fetched. Participating for the sake of participation. Knowing that there are tigers in the mountains, I prefer to go with the tigers in the mountains. The problem is that I don't have the ability to fight the tigers. In the end, the police need to save the scene, so why not call the police from the beginning? It's better to assume that you are an aborigine or have never seen a horror movie, but just know some classic characters, so that the behavior of jumping into the pit will be much more reasonable. And what's the point in not using a gun in the United States? It's not that I can't accept when the protagonist feels frustrated. The process from weak to strong is very charming. There is still something outstanding about the heroine training herself. The heroine can be chased and beaten, but she cannot go there knowing that she will be beaten, and there are other ways to solve the problem or take more precautions before going, and then go in directly and take the risk with "the one she loves" beside her. This is not bravery, but stupidity.
Weird abstraction... You don't need to use a bow and arrow when you have a gun. Like the game character, he went to Crystal Lake even though he knew there was danger.
It looks like he's working hard, but sometimes it's quite inexplicable. He knows that he will encounter terrible things. If he doesn't get a gun, at 18 years old, if you can't buy it, your father can't buy it??
There is a feeling of forcibly reducing the protagonist's intelligence in order to let the protagonist follow the plot. If the protagonist takes the initiative to participate after becoming strong enough, it will be okay. After a few days of hard work, he still uses the body of a child to carry out the plot. There are professionals around him who can ask for help, but he doesn't say anything. He relies on his time travel and knows the plot to despise other people, or even a child who knows nothing about it, emmmmm...
In order to maintain or participate in the plot, rely too much on the original path. The so-called preparation and correction are more like getting the mission released by the Lord God Space, and then preparing to obtain points rewards. The difference is that the heroine's participation has neither space tasks nor rewards, and the heroine is not there to add points, upgrade, or make a profit. There is no driving force, so the whole process seems a bit baffling. Only one Conan physique can be used, and events happen around the heroine.
I've read Chapter 26. How can I put it this way? The heroine works very hard, but she's also a little inexplicable. Some of the poisonous points that forcefully intervene in the plot are really unreasonable. 1. The Warren family actually gave Annabell as a gift to the heroine. 2. You don't need to go to Crystal Lake Summer Camp, so why don't you ask for leave? If you are worried about the safety of other children in the summer camp, you can use other safer methods instead of charging directly with the body of a six-year-old child and a childish crowbar. Thanks to the aura of the protagonist. 3. The Shining Hotel is the most poisonous one. The heroine is 12 years old. She may not be able to save herself, so she persuades her parents to go to the hotel for work and vacation together. Or when her parents have not decided to go, she wants to face the incident directly and puts her parents at risk. Those who didn't know thought she had a grudge against her parents. Intervening in the plot is not such a forced intervention. There is no benefit driver or strong ability guarantee. You can go wherever there is danger, and you have to bring the whole family with you. There is no need to be so neat 🤦 🤦 🤦