[No system, no special abilities, no routines, hundreds of changes, daily life]
Huang Ling has two worlds.
Peaceful World: She is jokingly called "the little pig who sleeps when she is full" by her best friends.
Apocalyptic world: She holds a fog cutter to chop zombies, and is respected by survivors as "the beautiful girl with the cold blade".
This book is also known as "Order takeout in a peaceful world and kill zombies in the apocalypse", "Is there anything wrong with wielding Kirigiri in the apocalypse", "Have a sleep and change the world to kill zombies", "Is the King of Slashers in the apocalypse a beautiful girl?" !
Reader comments
A large amount of content homogeneity has already appeared in a few dozen chapters of Cricket.
The whole process is: go to a new place and meet survivors - be attacked by men who are plotting evil - fight back, men hack to death and women are taken away.
Chapter 40 is all about this kind of content. The meaning of the real world is unclear, and in the apocalyptic world, we don't even see where the apocalypse is. The zombies are hacked to death casually, and we pass it by in a few words.
The focus is on collecting the harem, like the book written by Lao Deng ten years ago.
I don't know if the author has an outline. The protagonists travel between two worlds, but time will not stop. Then the doomsday as a danger must never stop, and stopping means death. What to write next? The length of the peaceful world must be greatly abbreviated. If we only write about the doomsday world, the setting will be in vain. If the two worlds are set to be unable to influence each other, then this setting will be completely scrapped. You can't have the protagonist singing at a campus performance while killing zombies on the verge of life and death. Don't you feel separated? And it's the kind with no superpowers, okay. Just an ordinary person with greater strength. How can you let her struggle to survive and live a wonderful life on campus without any burden? There is only a sense of fragmentation presented to the reader. You have to give her a break, otherwise I don't know how to deal with it next.
Good-looking, I am Shennong, not poisonous
I don't think there's a big problem with what I wrote, but it's useless in a peaceful world. It's better to write about traveling to the end of the world from the beginning.
So far, it looks pretty good. It just depends on how the author cheats the protagonist later on.
A large amount of content homogeneity has already appeared in a few dozen chapters of Cricket. The whole process is: go to a new place and meet survivors - be attacked by men who are plotting evil - fight back, men hack to death and women are taken away. Chapter 40 is all about this kind of content. The meaning of the real world is unclear, and in the apocalyptic world, we don't even see where the apocalypse is. The zombies are hacked to death casually, and we pass it by in a few words. The focus is on collecting the harem, like the book written by Lao Deng ten years ago.
I don't know if the author has an outline. The protagonists travel between two worlds, but time will not stop. Then the doomsday as a danger must never stop, and stopping means death. What to write next? The length of the peaceful world must be greatly abbreviated. If we only write about the doomsday world, the setting will be in vain. If the two worlds are set to be unable to influence each other, then this setting will be completely scrapped. You can't have the protagonist singing at a campus performance while killing zombies on the verge of life and death. Don't you feel separated? And it's the kind with no superpowers, okay. Just an ordinary person with greater strength. How can you let her struggle to survive and live a wonderful life on campus without any burden? There is only a sense of fragmentation presented to the reader. You have to give her a break, otherwise I don't know how to deal with it next.
Good-looking, I am Shennong, not poisonous
I don't think there's a big problem with what I wrote, but it's useless in a peaceful world. It's better to write about traveling to the end of the world from the beginning.
So far, it looks pretty good. It just depends on how the author cheats the protagonist later on.