[No System, no supernatural powers, no formulaic tropes, gender-bending, everyday life]
Huang Ling has two worlds.
In the peaceful world, her best friend teases her for being “a little pig who eats and sleeps.”
In the apocalypse, she wields the Mistsplitter to hack through zombies, earning the survivors’ awe as “the beautiful girl with the cold blade.”
This novel is also known as "Ordering Takeout in a Peaceful World, Slaying Zombies in the Apocalypse", "Is There Something Wrong with Wielding the Mistsplitter in the Apocalypse?", "Sleep Once, Wake Up in Another World to Slay Zombies", and "The Apocalypse’s Zombie-Slaying Champion Is a Beautiful Girl?!"
A large amount of content homogeneity has already appeared in a few dozen chapters of Cricket. The whole process is: go to a new place and meet survivors - be attacked by men who are plotting evil - fight back, men hack to death and women are taken away. Chapter 40 is all about this kind of content. The meaning of the real world is unclear, and in the apocalyptic world, we don't even see where the apocalypse is. The zombies are hacked to death casually, and we pass it by in a few words. The focus is on collecting the harem, like the book written by Lao Deng ten years ago.
I don't know if the author has an outline. The protagonists travel between two worlds, but time will not stop. Then the doomsday as a danger must never stop, and stopping means death. What to write next? The length of the peaceful world must be greatly abbreviated. If we only write about the doomsday world, the setting will be in vain. If the two worlds are set to be unable to influence each other, then this setting will be completely scrapped. You can't have the protagonist singing at a campus performance while killing zombies on the verge of life and death. Don't you feel separated? And it's the kind with no superpowers, okay. Just an ordinary person with greater strength. How can you let her struggle to survive and live a wonderful life on campus without any burden? There is only a sense of fragmentation presented to the reader. You have to give her a break, otherwise I don't know how to deal with it next.
Good-looking, I am Shennong, not poisonous
I don't think there's a big problem with what I wrote, but it's useless in a peaceful world. It's better to write about traveling to the end of the world from the beginning.
So far, it looks pretty good. It just depends on how the author cheats the protagonist later on.