Me? I’m the Game Designer of Earth Online?

In response to some of the book reviews below: First, I have made it very clear that dungeons are about gradual progress, not annihilation, but gradual screening and cleaning. The rewards of dungeons are the temptation of the abyss, and they are also gifts. Similar to the drama of watching a rabbit fall into a trap for the green grass in front of you, seeking death is more interesting than passively entering. The reason why the mortality rate is not high is to attract more people to enter, so that they will no longer be afraid of the dungeon and eager to enter the dungeon. I don't want to talk nonsense if I don't understand the author's meaning. Second, my copy is not a simple killing game, but an update and cleaning of the game. Xu Mo loves the work she created, but there are flaws in the work, and she is correcting it. There will be the dark side of human nature, but there will also be human solidarity, cooperation, solidarity, resistance and unyielding in the face of high-dimensional invasion. The main character is not the Holy Mother and the Holy Father, nor is he a villain. His own interests come first, but he will also help others when he has spare power. Third, the number of players in most dungeon novels is not that large. Ordinary people basically die from disasters after the dungeon fails. They do not die after entering the dungeon, but die together with the losers. The number of participants in national games is generally linked to the number of countries, ranging from twenty to thirty to one or two hundred. I don't understand why I am favored for trial. The number of people in my dungeon is divided into dozens, hundreds, or unlimited. I have my own logic for changing the number of people. I hope that the ordinary people I write about will also have the right to participate, instead of just watching the protagonist participate in the dungeon, and detour if I like to die hundreds of thousands of cannon fodder as soon as I come. Fourth, the setting of my novel is that everyone can participate in the dungeon, and their own lives are in their own hands, so large-scale deaths will occur after the dungeon is globalized, or in large-scale dungeons where millions of people participate. We have already written about the globalization of dungeons, and before that there was a dungeon in which tens of millions of people participated. I think there is no problem with 100 players participating in the initial dungeons. The success of a few lucky people can be used to lure the remaining countless people to actively enter the dungeon, instead of always being forced to enter. I like this logical setting. (As for those who are unable to participate, I have also considered it, so there will be no spoilers here.) Fifth, each copy has my own ideas, which is my own dramatic conception of something. Originally, I wrote novels to express my thoughts in words, and the copy I wrote is my idea. I see more and more things, and the copies are getting deeper and deeper, conveying deeper connotations. Sixth, regarding character creation, since Xu Mo was the mastermind behind the scenes, I originally wanted to write a story about two male protagonists teaming up to crack the copy. However, the author does not know how to write emotional scenes, and he was reluctant to replace the characters he had conceived. I really liked these character settings, so I changed it to a group portrait, completely abandoning all ambiguity and emotional scenes. But I had gone through several dungeons when I realized that I couldn't write any emotional scenes at all, so the male character was the center in the front dungeon, and the highlight of the female character was in the back. Seventh, if nothing else goes wrong, this book should be a long one. I have conceived many copies. I like the copy I am currently writing very much. I have initially learned how to design satirical copies. There are many types of copies, and I will try not to repeat them. That's all, I'll add more later!

I think it's quite good-looking, and it's more to my liking, but I don't think it's suitable for Tomatoes. It's not a cool novel, it's slow-burning, and the main characters are ordinary people. It doesn't have the outrageous settings of other dungeon novels, and cracking the dungeon relies on your brain. I quite like it. Let's talk about the advantages first: The copy written by the author has profound meanings, such as mental illness, man's destruction of nature, trust, the disorder of the end of the world... There are many things behind the copy that the author wants to express, but most of Tomato's articles are cool articles, and no one has the patience to understand these things. The copy is very well written, I like it very much, there are many twists and turns, the story concept is also very good, the protagonist is also very clever, not brainless, it can be read as a copy. Especially the dungeon [Men's Virtue Academy] is full of irony and the story is well-written. My favorite dungeon at the moment talks about the topic of gender equality. The author's views are very upright. Through what is conveyed behind the copy, it can be seen that the author does have his own thinking. Disadvantages: There is not much character shaping, and the character is more like a tool for opening dungeons. Whether it is Xu Mo or other protagonists, they all exist for the purpose of opening dungeons. They are dispensable. Changing characters will not affect the opening of dungeons. There are still some flaws in the shaping of the world framework. Many things are just set up. I don't know if they will be supplemented and improved later. But I still give it five stars🌟, because I really like this copy of [Men's Virtue Academy] and the martyrs who worked hard for equality. All those who have gone before are worthy of praise! There is also a special arrangement of free food for all animals except humans, which a cat owner really loves!

It's quite interesting, I recommend skipping the first ten chapters. The subsequent copies are quite interesting.

I'm pretty good, so why aren't there any threats of force? The author seems to have never considered letting them fight among themselves and threaten force, such as the city of judgment, when you are not sure whether this person is guilty or not? Just use force to capture a judge and judge him directly. At most, it will be less. The reward will be enough if you can survive. I don't understand why I don't improve my own strength. The points are neither used to buy special props nor directly improve my physical fitness or gain extraordinary strength. I feel that these people are like humans and machines. They only know how to get props and then don't use the points. I feel that there is no use of force at all.

The content is good, but it feels like it has been polished by AI.

I have read Chapter 21 so far, which is okay and not toxic.

The subject matter is novel and the plot is good

Very beautiful, highly recommended

I just listened to Chapter 35. It's pretty good so far. I'll comment later if there's anything bad about it later.