The Su Group is on the verge of bankruptcy. In order to save her seriously ill father and the family business, Su Wanqing, the eldest lady who graduated from a top fine arts academy, was forced to sign a three-year marriage agreement and marry Lu Chengyuan, the president of the Lu Group, known as the "Glacier Cheetah" in the business world.
He is a powerful man with ruthless methods and a frozen mind. He is extremely indifferent to relationships due to family changes in his childhood, and regards marriage as a tool for exchange of interests; she is a talented oil painting girl with a coquettish edge on the outside but a tough background on the inside. Her paintbrush is her last line of defense against reality. Even if she is surrounded by a contract, she does not want to be reduced to a vase to decorate the facade.
The wedding was minimalist and alienated after marriage - he stayed on the top floor of the company, leaving only the rule of "going back to the old house for dinner every week"; she guarded her exclusive studio, using paint to outline her stubborn understanding of the world on the canvas. However, at a family dinner, she used her color sensitivity to point out the loopholes in Lu's brochure, and he cast his first warm gaze; when the Internet was riddled with negative comments, she proved herself by winning an international award with her painting "Rose in the Ruins"; her father was critically ill and needed rare medicines, but he used his personal connections to prepare the medicine overnight but lied about it as "agreed service"; on a rainy night, when the circuit failed, she was afraid of the dark and huddled in the corner of the studio. When he opened the door, she subconsciously grabbed a "life-saving straw."
When a competitor kidnapped her and forced him to abandon the project, he put aside the cross-country meeting and rushed to save people, but saw her huddled on the iron frame still protecting the drawing board with his profile; his out-of-control blaming in the hospital concealed a concern that he dared not express; the children's painting in his drawer that read "Brother is waiting for me to come home" (an old work of his lost sister)
