Son-In-Law************

The character creation refuses to be stereotyped and is vivid and three-dimensional: the protagonist hides his clumsiness and fishes in a low-key manner without leaving any trace, while the villain always accurately hits the reader's "pleasure point"; the rhythm is just right and fast, without any sense of delay. The common theme of the son-in-law's counterattack is written with new ideas, and the reading is just hearty. From the initial "contract husband" to the gradual emergence of true love, the male protagonist's voice was heard by the female protagonists and resolved many crises. The emotional bonds changed delicately and naturally, giving the story a more touching warmth.

This book is not bad.