The works in the other collection of Ci, "Quietly Living in Qinqu" mainly describe the love between men and women, and are records of the author's love life in his youth. Mao Guangsheng said in "Xiao Sanwu Pavilion Ci Hua": "It is said that Zhu Yuan's "Feng Huai Two Hundred Rhymes" was written by his wife and sister. In fact, the volume of "Jingzhi Ju Qinqu" is also a footnote to "Feng Huai"..." However, judging from the common stories about promiscuous women in the poems by the author, it seems that the person he is attached to is not a woman from a good family. The works in this collection very delicately depict the mentality of boys and girls when they are in love, and are full of interest. For example: "Hibernating my tears, I peeped into the mirror, urging me to go back down the stairs. I was so overwhelmed when I was about to leave, so I looked forward to my husband's return and forced myself to pack my shoes." ("Nan Gezi") "Looking for it. A jade hairpin fell for no reason outside the curtain. Leave the lantern and don't wait until the flowers fall deep." ("The Sixteen-Character Order")
