Size***********

Personal differences are different. First, there is a plot where the heroine has no idea of ​​getting married at the beginning, and the hero conquers everyone around the heroine and persuades them to side with the heroine to persuade her. It's this kind of plot that ignores the true wishes of one's own daughter/sister/granddaughter... And mistakenly thinks that the heroine is sorry for the hero, making the heroine speechless, and the hero is proud of the speechless plot. I don't like it very much. The heroine comes first. If she is not interested, she will never persuade a man to do this. (Although this plot is very common, I quit every time I see it) Secondly, in the relationship, the heroine is the one who is always being led by the nose, and is manipulated severely by the hero. She seems to be an arrogant and self-indulgent lady, but her subjectivity is not that strong. She is too talkative and easy to be manipulated. For an absolute female protagonist, this does not mean that the female protagonist is always in an emotional position. Thirdly, I disliked some parts of the description. For example, the male protagonist took the female protagonist to meet his brothers (in an entertainment bureau anyway). The way the men looked at the female protagonist made the female protagonist feel "uncomfortable". The male protagonist didn't express anything, and it was the male protagonist's cousin's girlfriend who came to the rescue for the female protagonist. Inexplicably, I thought of the phrase "To determine your boyfriend's opinion of you, just look at his brother's attitude towards you." The previous words sound so good, but all kinds of love brain operations are actually very empty.

It's very good-looking, and the heroine and the hero are so compatible [licking the screen] [licking the screen] [licking the screen], and there's no inexplicable female rivalry.