Stepping into the reincarnation of the film and television world, she brought with her a naturally charming appearance, using "coquettishness" as a weapon and "weakness" as a disguise.
In "Seven Fairies of Joy", she is a little white flower that brings rain to the pear blossoms and arouses the pity of the male protagonist; in "The Iron-Blooded Mission", she becomes a pretty lady with silky eyes and relies on coquettishness to resolve crises.
Different plot, same "acting". When all the male stars in film and television were attracted by her "weakness", only she knew clearly: those tears were real, and her desire to manipulate people's hearts was also real.