A Food Blogger Transmigrates Into a Book Set in the Republic of China and Just Wants to Make Money

This article should be more popular, and the atmosphere for reader comments is definitely much better than it is now. I feel like a lot of readers just want to read cool, black-and-white and mindless articles. Although it is not strong enough in some aspects, most of the characters are quite ideal and ambitious, and everyone works together to build a beautiful new society.

The group portrait story is really heartwarming The heroine doesn't have a big golden finger. Although there are some male characters, the heroine is engaged in her career from beginning to end and remains kind and rational. The characters portrayed by the author grow up step by step, and the heroine also starts from a bystander and gradually changes the world. Even a small change is important. The female characters all redeem themselves under the influence of the heroine, and gradually jump out of the cognitive circle. I really like the vitality of the heroine and those friends. It feels super warm to get together. The author needs to keep up the good work!

I don't know why this book's score is so low, but in my heart, it is a perfect work. The author's writing style is very delicate, and the description of the language and environment completely put me into that era, and I didn't feel like I was in a drama. Every character is extremely vivid, not limited to the male and female protagonists. Every character who has appeared so far has his or her own unique characteristics, and there are no cookie-cutter minor characters. In that era when it was difficult for women to establish themselves in the world, the pampered eldest daughter of the Feng family had the courage to open a women's newspaper; Gu Yan, a male author with a certain status in the literary world, dared to write about women's independence and greatness; although Miss Chen was a singer, she was chic Wanton; the appearance of Yumei and her mother is heart-wrenching, but in hindsight, you will find that her mother is responsible for her own evil; A's family is so poor that they don't know if they will have food tomorrow, but his mother is willing to fry pancakes in order to repay the heroine. The creation of each character is rich and unique, and each of them is a vivid individual. When the second young master of the Feng family saw the suffering of beggars and refugees, he not only wrote about their suffering, but also wrote about the second wife of the Feng family feeding the fish with cakes, and about the second young master's imported leather shoes and high-end suits; he wrote about Fu Yunzhou as a gangster, but also made him soft at heart. In Cotton, he knows how to repay his kindness, remembering Lord Shu's favor of a meal, but also worried about the beggar children in the South District; he writes about the helplessness of the heroine in the torrent of history, about her struggle and powerlessness, but he also says that she has a righteous heart, saves the world and helps others, and is kind-hearted. Every character in the book seems to have come alive. Are they looking forward to a better tomorrow today? Now I think the flaw is the relationship between the heroine and the men. It is actually unnecessary. Her different interactions with Fu and Feng also make people feel inexplicable. How can she fall in love with Fu Wenwen for no reason? On the contrary, Feng allowed her to take advantage of him so much, and he also did good things to help beggars like Fu, but the heroine always treated him like a dog. I even think that Feng doesn't need to have any admiration for the heroine at all. He pretends to be righteous for the country. For a woman like the heroine who may be a little special, shouldn't it be admiration rather than admiration? Including Gu Yan, the author should not write some hints that he has feelings for the heroine. He is a true literary pioneer and literary warrior. Maybe everyone can have their own feelings, even if he is a great person, but I still feel that his feelings are inexplicable, and neither he nor the heroine needs the blessing of this love. Isn't it good that they are literary comrades and confidants? Fu can regard the heroine as the light that saves him, or is he willing to be his little brother? Protect the heroine? But don't be so possessive. Every time it's his turn and Feng's appearance together, both of them are extremely possessive, but who are they? He is just an ordinary friend of the opposite sex, but he has to say some uncomfortable things, such as asking the other person to stay away from the heroine. This kind of competition without the heroine's consent has no dignity at all.

Good! Look! I almost tied it after reading it for a day. It is a rare novel with a well-written emotional line (although it has no cp 🤦). Although telling my sister about my space is a bit risky from a realistic point of view, I really like the plot of the sisters working together to open a shop, and then the business of the shop is booming. People live to read these novels that can make people feel happy. Finally, I beg the author not to be tired but also not to be idle (knock on the bowl and dig out the manuscript box [send my heart] [send my heart] [send my heart])

Personally, I think it's very good-looking, although some people may think that the heroine's golden fingers are too big [but she's not, because apart from making some desserts/saving the supporting actor, she doesn't have any particularly big golden fingers]. Her kindness is a bit overly kind. The space was exposed to the original owner's sisters in advance. Also, no cp does not mean that there is no emotional line, and no one will fall in love with the heroine. The heroine is a person of the new era. She is a very dazzling existence in her own right. Because she has experienced happy moments, others will be attracted to this sunny existence. Falling in love with the heroine is easy. Everyone likes those who live a comfortable and bright life. I haven't seen any major flaws so far, and the writing is pretty good. The bad guys are both male and female, and I didn't deliberately write all the bad guys as women. It also describes the sympathy between many girls. From my personal perspective, the writing is quite good and very interesting. I saw many people saying that the supporting actor in the original book fell in love with the female protagonist for no reason. I can only say that falling in love with the female protagonist is human nature. When your barren life suddenly breaks into a bright moon. Everyone will feel that I want, I desire, and I love her. First of all, the first Fu was saved because of his life-saving grace, which was a bit of a suspension bridge effect. In addition, our perfect protagonist is a very kind and lively little sun. She really illuminates everyone with her sunshine. Everyone will be attracted by her unconscious charm, and falling in love with the heroine is easy. There is also the young master of the Feng family. It is normal for him to like the heroine. The heroine is the only one who plays tricks on him and deceives him. Really super invincible and normal. And it makes sense that the two of them are like the stray kittens and puppies that the heroine accidentally touched. Kittens and puppies just long for a home. Although they may fight and make trouble in front of their owners, their owners treat them equally. Stop talking about playing these two like dogs. The first of them has a strong mentality, and the second is that they find it interesting. It is human destiny to be attracted to beautiful people. As long as they don't affect the heroine's career and development, you can completely ignore them. They are just spices in the heroine's life.

The article is very well written. I have read more than 160 chapters. I came here without CP. Several men around the heroine have been surrounding the heroine with all kinds of ambiguities. They always describe the heroine's dimples in various ways and describe them over and over again. Every man who appears next to the heroine often describes how handsome he is. In short, up to now, it mainly describes the heroine's business, making cakes, and the Plato-like ambiguity of several men, and occasionally does some good deeds.

This book is encouraged with four stars. The core highlight lies in the growth line in which the heroine leads the sisters to escape from the plight of being sold and make a living on their own, as well as the transition in the later period from personal livelihood to the great interests of the family and the country: in the concession, relying on cakes, snacks and milk tea, and in troubled times, instant noodles, luncheon meat, and compressed biscuit factories are opened to help people's livelihood. The setting of industrial salvation is highly contagious. The non-CP setting allows the narrative to focus more on women's mutual help and career development, focusing on career and righteousness. The growth line of the three sisters resonating with their family and country is moving enough. Compared with the early "Mother" character, the heroine's character design in the later stage has been significantly optimized, and is more in line with the core of "self-improvement". The shortcomings are also prominent: the heroine's golden finger is too open, and some plots are slightly less reasonable; the ending is hasty and many foreshadowings and clues are not properly sorted out. Details such as the sister's final destination are only left blank, which is a bit regretful. Overall, the strengths and weaknesses are relatively clear. The four stars are not only recognition of this "legend in troubled times", but also gentle encouragement for this "uneasy feeling". If the ending can be polished, it will definitely be a good article!

This book is one of the better novels about the Republic of China that I have read. It has micro-group portraits and well-characterized characters. Dongmei's original family is really bad. She yearns for light and freedom. Uncle He's family is also a poor and poor person at the bottom, but they are still kind and help Dongmei. The uncle and aunt's kindness to the three sisters of the Jiang family comes from the heart. The heroine tries her best to help others, rather than being a bad person. ❤️ ❤️ ❤️ Each character is very delicately portrayed. It is more than 7.5 Points. This book can definitely be rated as 9.0. The writing is also very beautiful. I was so hungry after reading the delicious food in the middle of the night 😢😢

When I first started reading this novel, I found that the rating was only 6.6. I have never read a Tomato novel with such a low rating. But when I opened it and read the reviews, I found that it was very interesting, and I was also very interested in the introduction. I finally decided to read it. After reading it, I felt that the rating was really low. I felt that it was very good. The rating of this novel in Tomato should be between 9.0 And 9.4. It is really good-looking. I like this kind of plainness with warmth and a warm feeling in my heart. Now the rating is slowly rising, and it has already risen to 7.0. I believe that such a good-looking novel will definitely be liked by more people!

Overall it's okay, the story is simple but the characters are all three-dimensional. In the middle, Dongmei almost made me furious, but since she chose to run away, she has slowly awakened to the fact that she is a three-dimensional epitome of the most common 'daughter' in poor families during the Republic of China. But when she became ambitious, her growth began.