Oriental Mystery Narrative

In the deep imagination of the East, old objects soaked in time often contain indescribable spirituality. They are neither immortals nor monsters, but they are condensed with dusty obsessions, unpaid blood debts or deep curses, waiting for unexpected encounters with strangers. This is the narrative of "Oriental weird objects" - objects have spirits, and their charm lies in their "cunning". Or an ancient mirror, the light can discern people, but in the dead of night, it reflects the sad face of the soul of the past life; or a dusty oil-paper umbrella, open in the rainy alley, what drips from the umbrella ribs is not rain, but the blood and tears of the old owner when he said goodbye; or a jade bracelet with blood soaked in the bones, warm and moist against the wrist, but quietly sucking the life of the wearer, nourishing the sleeping spirit in the bracelet. These objects carry the weight of the past, are silent witnesses, and are trigger points of cause and effect. Those who encounter strange things often have a bad fate. Maybe it's a rare treasure that a poor man accidentally finds, and tastes the benefits for the first time, but he doesn't know that he has signed an invisible contract; or it's a crazy person who pursues old things, but is swallowed up by the resentment contained in them; or a greedy person covets the magical power of ancient artifacts, and eventually gets burned, and becomes a footnote to the next story of the artifact. The power of strange things is often closely intertwined with the deepest desires, fears or debts of people's hearts, like two sides of a mirror. Its "strangeness" lies in the symbiosis of the ordinary appearance and the sinister connotation, in the blurring of the boundaries between gifts and requests, and in the fact that it can always accurately reflect and amplify the dark folds of the holder's soul. The essence of the narration of oriental strange things is not only the fright and fright, but also the lingering feeling of confusion and vigilance.