Han Zuo's Changge: Jin King Eternal Life

Change Order, a fantasy version of Qin and Han Dynasties. The protagonist can be said to be semi-invincible in the early stage (some of them can't be beaten), and truly invincible in the later stage (the ones that can't be defeated are basically gone). My personal opinion has not been disappointed. The main historical process has not changed much, but the protagonist has changed a lot, and there is nothing ambiguous. To be honest, there are some female supporting characters but there is no further description. It is very interesting and I look forward to subsequent updates. I don't know the history in detail, but the latest plot is already about the Eternal Han Dynasty. A lot of the history that I have heard of (not sure about the dynasty, but I have heard the allusions) is constantly being staged in the New Han Dynasty (Ji Han). The protagonist is already half-hungry in the later stage. It mainly tells the story of the New Han royal family and the surname Liu. The history is repeated. When the royal family does something unnatural and evil, the protagonist becomes angry and takes action. Then, Then I hung up, and I couldn't figure out how the plot was going to develop. Isn't it really going to continue like this until modern times? The protagonist now only occasionally comes out to show his presence in front of others, and has a sense of presence. The author also said before that he wanted to develop a plot of the protagonist traveling in the world of mortals (it should be cut off due to resistance from readers). Is this the beginning of the outline after part of the plot is not developed? I don't know what other readers think, but the latest plot is a bit torture for me (I know that the updated content may be confusing, but I still keep up with the updates).

I thought it was food, but I didn't expect it to be food [Thoughts] Pulled and pulled, suddenly poisoned [spit]

When the protagonist descends from the gods, does it have no effect if the person who is descended by the gods dies? If so, he is not invincible and has countless lives. If the protagonist becomes the emperor, he can change the law however he wants. Arrange a goddess in each place to reduce the pressure and there is no fear of rebellion from the family. It's a bit unreasonable. The Xiongnu prophet is a master of the Purple Mansion Realm, and another prophet can be born decades after the death of the previous prophet. Then besides the protagonist, the Huaxia tribe has only one Xiang Yu who is a Purple Mansion Realm master. Or is it because he has extraordinary talents?

It's okay. Books from this kind of perspective are quite rare. Only in the world of creation can you write a similar flavor. For example, I am God in the Starting Point, but it lacks a trace of truth and ancient charm. Although this book is immature, it is very interesting. After reading it, I have a question that cannot be considered a problem. The author is obviously rushing for the plot. Each time period is very short. After writing the characters, he immediately changes to the next batch. This may be to make room for the big plot later, or he may not intend to write a long story. But there are two problems with this approach. First, rushing to the main plot and jumping fast are two different things. Nowadays, time is both fast and urgent. If you don't write a few chapters for each emperor, you can save space to write other things. However, you start to drive out the next emperor, making the main plot thin and long. Changshengtian is too fragmented. The trip to America and India can slow down a bit, expand the world view more, and write more about the protagonist and the characters around him. Secondly, it is too late to go from Liu Bang's uprising to Han Wu, especially when the protagonists have relatives. This is a golden opportunity to set the tone for the atmosphere of the book. If you want to write about ancient rhymes and an epic feel, write more about the conquest of Qin, the Chu-Han battles, and more about various countries. If you want to write about a sense of detachment, focus on describing the family relationship between the protagonist and Liu Bang's family, and then use the space saved from the plot to write more about how time passes. The current way of writing, with each emperor passing by in a hurry, can indeed give the plot such a refined feeling, but it also gives up too many other advantages. You can write 50 chapters about the end of Qin, Chu and Han, 70 chapters about the beginning of Han Dynasty, 70 chapters about Wu of Han Dynasty, how he was youthful, how he became dim in his later years, how his relationship with the protagonist changed, and then spend 10 chapters to write about the subsequent relationship between the emperor and the emperor. How is daily life in Guanghan Palace? There is eternal life in the north. Shouldn't the protagonist go to the grassland more often to inspect the enemy's situation? Study the principles of gods? What's interesting about America? What's the scenery like in Siberia and the Bering Strait? How did Zhaojun and the protagonist react when they traveled west? These can all be expanded upon, but the author has covered them in almost five or six sentences. Then you wrote a little about Changshengtian in the early Han Dynasty and then put it down, and wrote a little about Changshengtian in the Hanwu Dynasty. It was too fragmented, and it was really suspected of being a running story. Writing in such detail does not take up much space, because the following emperors, except for the third generation of Guangwu, can be written a little more, and the remaining strokes can add a super-mundane feeling of bad chess fate. Guangwu stepped on the accelerator immediately. This is right, and the author is right to handle it this way. In addition, writing about the characters in detail earlier will not destroy this feeling, but will make people feel like they are suddenly looking back. Just like the book "The Pauper", if every detail is well written and the characters are well created, it will also create a sense of vicissitudes of life. You can't divide each time node equally, you have to expand it and omit it. Why do this? Why add more branches? It's very simple. In a novel like yours, the protagonist's initiative is very low, and there is very little main character development. There is no way to do this. Then you need to make up for it elsewhere, and branch plots are a good way to do it. Then finally to the present, we will write about the Three Kingdoms again. How good. Now each emperor is divided into several chapters, and then we write about the East and the West. We cover Chu and Han in one stroke, Japan in one stroke, and India in one stroke. It's not that it's not possible, but the overall space is too thin.

Slightly flawed, but not out of the ordinary. Recommended I keep up with updates every day, and I think it is definitely worth five stars. But now the more I read, the more I feel something is wrong. I have forgotten it, and I feel a little sick! The four hundred years of the Han Dynasty were based on history books. The heroine was also over four hundred years old. She was the supreme existence in the book. She just allowed things to develop and watched the Three Kingdoms period come. It's not that the protagonist must be a Virgin, but what is the meaning of her existence? Is it to bring warmth to foreigners? To preserve history? The emperors of the Liu family are all political monsters. With the protagonist as their backer, history will never turn out like this. Ordinary people will always die the most in incidents. They deliberately wait for the arrival of the Three Kingdoms just to write more content! The Troubled Times of the Three Kingdoms proves that everything before is meaningless, it's so disgusting🤢

The writing is very good. Although there are few post elements, it is still very attractive. It would be better if there were more post elements. [Shy]

4.6 Stars, rounded down good looking The historical knowledge is very good, or very good, and the self-made classical Chinese texts can be easily picked up. Although the setting is ordinary, it is well integrated. It generally follows the existing historical route, citing classics, with slight changes in minor details, which is quite innovative. The protagonist's vassal state is already close to the country of China, and I don't know what to do next. Although the plot line is natural in some places, the logic is not smooth, but it is not to say poisonous. There are some supplements missing. I hope more repairs will be done. By the way, I suggest changing the cover. Your AI cover looks too cheap.

This book is really well written and I have read several of the author's books. The existence of Wuhun provides strong rationality for many of the protagonist's actions.

The best historical novel I have ever seen. First of all, it can be seen that the author has a very strong foundation in ancient Chinese, and some classical Chinese texts that are very suitable for the Han Dynasty background of the novel are very tasteful. There is also historical knowledge, and many of the dialogues between the characters are translated from ancient classical Chinese. What I personally find most interesting is the supplementary historical data at the end, which tells the story of the protagonist's contemporary achievements being recorded by later generations, which gives the whole novel a strong historical atmosphere.

This is one of the most awesome historical transformation articles I have ever seen on Tomato.

Quite good looking. At first, it felt like history was being retold all over again. The major events remained basically the same, but there were some differences in the details. The further you look at it, the more exciting it becomes, especially after the Three Kingdoms era, when you see a brand new and different Three Kingdoms, Cao, Liu, Lu and Han all have a good ending, and all the deductions are very logical. What makes people particularly angry is that the old thief Sima accused Luo Shui of making a false oath, and ended up being pierced by thousands of arrows. The protagonist is super powerful, but it does not affect the development of history, and just avoids the bad side. This is quite good among this kind of novels I have read.

Very nice! The heroine achieved military exploits at a young age and earned herself a title. She is also equipped with martial arts, and the exercises provided by the system are also good. She can train loyal subordinates very quickly. This configuration is simply awesome. Not getting married, having no emotional connections, establishing a religious cult to manage the grassroots, saints are not just decorations, they can be descended from the gods, they are all very useful. I'm halfway through watching it. All of the heroine's immediate family members have passed away. The descendants of the emperor are already quite strange. I'm worried that the heroine will always be a nanny for such people... I hope that the heroine can get rid of her status as a prince. I already think it's restrictive. Wouldn't it be nice to just become a god?

The writing is good. This book is fresh and refined. The first few pictures show the childishness that adults yearn for. The protagonist is like Xiaojiabiyu, very innocent and cute. It's a rare good book. I have to say that after reading the first part, I felt like I was back to the carefree days of kindergarten. The protagonist's innocent heart deeply moved me. How I wish we could go back to childhood and maintain that pure mind. Even when the protagonist makes a little mistake, it is refreshing and refined, making people feel so cute. The most important thing is that the protagonist goes to the mountains to collect medicine as a child for the sake of his mother's hands. This filial piety is truly a lesson to the world. Having said so much, come and see it quickly, my family, who knows the sense of redemption that comes from seeing such an elegant work. You must give me a detailed understanding of each word, and never read ten lines at a glance. Only by savoring it carefully can you understand the adult soul and childish wisdom described by the author! Summarize it in one word, show it to me, I must share it!

It's very interesting. The heroine is surrounded by mostly girls except for her relatives. The AI ​​traces can only be seen in one or two sentences in a few chapters, but the correction of the writing style and the plot advancement speed are very good, even if you are allergic to AI, you can still watch it.

Kara Picchu is so fun. It gives me a lot of crystal core cats every day. It also gives me a lot of memory sequence cats. There are also a lot of cat girls meowing and talking nicely. Come and play. Wuwuwu, stop hitting me. Meow, I'm already lying to other kittens. Meow, stop hitting me. Meow, Wuwuwu.

Personally, I think it's quite interesting. I don't understand why a group of people in the comment area are bragging about Xiang Yu's world view. Is it difficult to understand Xiang Yu, who can only borrow divine power from a shaman? [What] Besides, there is still some time left in the middle. Given some time, Xiang Yu is really not afraid of the shaman who borrowed his divine power. However, Xiang Yu was killed early by the protagonist and her father Liu Bang. The shaman who came out later must be stronger. There is a difference of more than 20 cards. (Besides, when the protagonist defeated Xiang Yu, he was besieged with the army. The main character Jiao couldn't help Xiang Yu at all, and Xiang Yu died of exhaustion in the end. The shaman was directly killed by the protagonist. During this period of time, the protagonist can develop Xiang Yu, so why can't he? [Laughing and crying]) He said that the poisonous thing is his own problem [smiles] As for the fate backlash, it may not be good in that section, but what does it have to do with the rest? I never mentioned this thing [eating melon] later, but I am quite the author. The reading time of this book is not as long as mine, so let's not even mention it. It's funny [laughs]

The soul is haunted by dreams, the thoughts are wandering, and the ripples of excitement are fascinating. Although it is a fictional history, it feels real, as if the story of the past is reappearing in front of you, which is impressive and makes people daydream. Some of them are written in a gentleman's style, which is coherent and full of vitality - the characters here are all brought to life, making me not want to make a mistake for a second and keep reading. [Like][Like][Like]

Even if the protagonist of the Liu family does not want to protect it, he must protect it. The protagonist has joined the White Horse Alliance. As long as the protagonist is alive, he cannot allow someone with a different surname to become the king. Otherwise, he will break his oath and his character will be shattered to pieces. In order to be consistent with history, all the emperors and ministers of Ji and Han were written as puppets. The independence of Yangzhou was barely justified, but Jingzhou and Yizhou also defected to the rebels, but the court had no response, and there was no ethnic conflict. It lost its righteousness, had a serious shortage of population and army, the monarch was even more stupid, and the government was more corrupt. How could the south stop the north?

It's okay, but there's something a little weird about the shaman at the back. But despite its flaws, it's pretty watchable. A wave of forced explanations were given. The more I write it, the more boring it becomes, and I won't be able to perform it anymore. Directly AI

The writing is very good, the sentences are fluent, the plot develops normally and well, there is no collapse, and there is no trace of AI. It is really good.

It's brilliant, at least one of the top ten historical non-canon novels on Tomato.

The author's writing style is solid, the words fit the background of the Han Dynasty, and the ancient charm is very strong. The elements of cultivating immortals are naturally combined with the history of Chu and Han Dynasties, without being too overwhelming and the story has a strong sense of substitution. The overall plot is smooth, the ending is novel, and it is very memorable to read.

I'm very curious about a question, if the protagonist cares so much about the Han Dynasty, how did the Han Dynasty end? If they were not destroyed, how could the Eastern Han Dynasty and the Western Han Dynasty be distinguished? But if he was destroyed, how could he become a vassal king again?

China has a queen, an empress, and a legitimate queen, empress, and general. She is not like Wu Zetian who robs her son of the throne. She is the queen recognized by the world.

The martial spirit is not like Tang San's martial spirit, it's just a bit similar. The story takes place at the end of the Second Qin Dynasty. The heroine rebelled with her father when she was seven years old, established the Han Dynasty, and was named king. From then on, she began her life without shame [laughter]

I quite like this novel. After all, who doesn't want to have a CP-free, immortal, and an eternal fief? Such a fief is in sharp contrast to the various dynasties outside. And it is so exciting to think about becoming an immortal supreme in ancient times! Hahaha [laughing] [laughing] [laughing]

It's quite interesting. Although the essence is still a monarchy, I have to admire its control. It is really difficult to change the world by letting the feudal dynasty go free. It is indeed interesting that pig's feet can effectively change the situation when the era is about to become chaotic. However, is the author sure that the neglected issues such as population control and agricultural development really have little impact?

It's pretty good. The author has quite some ideas and the writing is strong enough, but the content is still too little.

To be honest, personally, this book exceeded my expectations. The writing style in the early stages is a bit green, but later on it feels more mature. The author has his own understanding of the details of the characters and the overall historical grand picture of the book, which can be called a good book.

The story is quite interesting, the writing is good, the setting and the changes caused by the relative factors are also reasonable, the before and after are well connected, and it can be seen that the author spent a lot of energy on the structure. Come on! ! ! Finished spreading flowers! ! ! I feel that the ending is a bit hasty. Why did it disappear so suddenly? The turn was too fast. There is still a lot to write. I finished writing the foreshadowing I left in the past. I just started to step towards the starry sky and it disappeared [what]