[Double male protagonist + quick travel + main + receiving + slicing attack + system]
Bai Luoqing, who was an ordinary college student in his last life, became a "worker" in the fast-traveling world when he opened his eyes. His task was to travel through various novels to play the role of the villain——
From the rural farming novels about chickens and dogs, to the overbearing school grass novels with pink bubbles all over the sky; from the mermaid legend full of taboos, to the vampire stories about fangs in the dark night...
Bai Luoqing put his hands on his hips and laughed wildly: "Role-playing? Let me taste it!"
But as he continued to act, he realized something was wrong——
Why is there a man with sticky eyes and unkind intentions staring at him in every world?
"Hey! Have you seen enough?"
A certain "slicing" attacker silently stepped forward, hugged the person, and said in a low and aggrieved voice, "It's not enough. It won't be enough for a lifetime."
[The cute showman Sha Shou VS the paranoid loyal dog Gong who chases his wife across the world]
Reader comments
[Personal opinion, don't criticize if you don't like it] I think this quick wear is an anti-routine work with a distinctive style. The author uses an almost confessional colloquial style to vividly describe the protagonist Bai Luoqing's mentality of not wanting to fall in love but to be a villain. There is no bloody competition throughout the whole process. The villain's mission is turned into a role-play by relying on sand sculpture. The easy sand sculpture is especially suitable for decompressing daily fragmented time.
The current dungeon is relatively short (although fast travel focuses on "fast" but certain details still need to be included), the plot framework of the early village dungeon is relatively conventional, and the setting of the subsequent mermaid dungeon is significantly more fresh, but Bai Luoqing's transition from a trouble-making villain to a heart-throb is slightly abrupt, lacking enough emotional progression. The off-the-cuff complaint-style writing style is prone to drama when switching to serious plots. Some villains' mission lines are hastily laid out, and the supporting characters are almost all tools to promote the plot. The basic behavioral logic is not established. Overall, it is a very clever work. As long as the author controls the tightness of the writing style and maintains a steady rhythm to complete the details, the quality of the story can be improved to a higher level. Looking forward to the new copy [Sending Hearts]
[Personal opinion, don't criticize if you don't like it] I think this quick wear is an anti-routine work with a distinctive style. The author uses an almost confessional colloquial style to vividly describe the protagonist Bai Luoqing's mentality of not wanting to fall in love but to be a villain. There is no bloody competition throughout the whole process. The villain's mission is turned into a role-play by relying on sand sculpture. The easy sand sculpture is especially suitable for decompressing daily fragmented time. The current dungeon is relatively short (although fast travel focuses on "fast" but certain details still need to be included), the plot framework of the early village dungeon is relatively conventional, and the setting of the subsequent mermaid dungeon is significantly more fresh, but Bai Luoqing's transition from a trouble-making villain to a heart-throb is slightly abrupt, lacking enough emotional progression. The off-the-cuff complaint-style writing style is prone to drama when switching to serious plots. Some villains' mission lines are hastily laid out, and the supporting characters are almost all tools to promote the plot. The basic behavioral logic is not established. Overall, it is a very clever work. As long as the author controls the tightness of the writing style and maintains a steady rhythm to complete the details, the quality of the story can be improved to a higher level. Looking forward to the new copy [Sending Hearts]