In Peiping during the Republic of China, antiques and swords were hidden in the rivers and lakes. Shen Qingci, an orphan girl from the south of the Yangtze River, returned with half a piece of broken jade with a secret text, and her alias was close to "Jade Faced Yama" Fu Yanzhi - the leader of the Peking antique shop, who was the "son of the enemy" on her revenge list.
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She learned from Bao's talents and made progress step by step, while he secretly indulged her under the mask of indifference. The game of authenticity on the stage has become a tug on the heart.
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When a family blood feud encounters the secret of their life experience, and when the blade of revenge is involved in the troubled times, they realize that this approach that started with calculation has already made each other the most cherished jewel in each other's life. The half-pieces of broken jade combined together reflect not only the list of national treasures, but also the return of two souls from tit-for-tat to life-and-death dependence in the turbulent years.
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From treasure hunting in Tokyo to adventures in Jiangnan kiln factories, from Juyi in Northern Jiangsu to reconstruction in Peking, the two men led discrete craftsmen such as Master Zhang (the successor of the Soviet style curium porcelain) and Luo Amei (the Yunnan purple pottery craftsman), using carving knives as blades and kiln fire as armor, to piece together broken cultural relics amidst the hail of bullets, and to stitch together the threads of a civilization torn apart by war.
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After the war, Yuhengzhai became a hub for the renewal of cultural heritage: Ayigu, a young man from the Yi ethnic group, used purple pottery skills to continue the story of the integration of Han and Yi people, Gu Wang, an overseas student, used laser technology to connect traditional gold painting, and Aliu, a young girl, integrated industrial slag into the glaze color of ancient porcelain, giving new wings to old craftsmanship. From the perfect combination of gold and metal on the "Hehetu" porcelain plate, to the historical truth revealed by the "Jianzhen" porcelain plate, from the Yongle blue and white bowl restored by a multinational joint effort, to the "time capsule" buried underground,
