Quick Transmigration: The Cannon Fodder Is Seriously Overpowered

I just watched a little bit and couldn't help but comment. I really admire the heroine's character. She is flexible and flexible, and can be ruthless when she needs to be. She looks like a person coming out of the apocalypse. I've read Chapter 56 and I'm a little disappointed. In the first world alone, every time the female protagonist meets the male protagonist, there will always be a plot to subdue one's wits. The first time I stalked the male protagonist to kill the original female protagonist, and sat on the male protagonist's bicycle invisibly (guessing that the female protagonist was afraid that she would not be able to keep up with the bicycle on foot), I thought this power was invincible. However, it turned out that there were limitations - one's own weight could not be hidden. Naturally, the male protagonist felt something strange about the car and repeatedly tested it. The female protagonist's face turned red and she gritted her teeth. I don't know why I wrote it like this, maybe it was to develop an emotional scene. After the tracking, the heroine stopped sitting in the back seat in order not to be tested by the hero anymore. The hero was suspicious that the car was normal again. I don't understand the heroine's operation here. As a person in the apocalypse, you should be cautious and decisive. These are all your own words. So since you came in because you were in the back seat of the car because of the weight, shouldn't you continue to sit in the back seat in order not to reveal your secret? In this way, the male protagonist may think that it is an illusion of traveling at night, but the car is heavier when he went there and lighter when he came back. The second time was when the heroine wanted to kill a wretched man. She deliberately pretended to be sick and went down the mountain to create an alibi. She used her invisibility power to return and prepare to kill. She walked to the trap and shouted to mislead the wretched man. However, the shout was heard by the male protagonist. The hero ran out and found the wretched man and killed him. Then he searched for the heroine all over the mountain. Seeing that he persisted in trying to find her, the heroine relented and removed his power to reveal his body. I don't understand here either. You said it yourself. You have a level 9 superpower that can block all sounds and things in any area you want to block. Then you are going to kill people. If you don't block this area, you will kill directly in the area. Isn't that what you did when you attacked Scumbag before? Can't you just do it now? Do you have to be so smart? This mountain is not your territory. Can you kill people without warning on the mountain in the village? The male protagonist actually shouted at the top of his lungs, "Did you two tell the villagers that the female protagonist was sick and went back to the house to rest before morning?" Now that you are running into the mountains to call the heroine, you are not necessarily the only two people in the mountains. Despicable men can come. Maybe there are people from other villages in the mountains as well? I don't really like this routine of forcibly lowering the heroine's IQ and character for the sake of emotional drama. There are always repeated passages of text every few chapters. Disappointing, if you ask me, the female protagonist and male protagonist should not develop emotional lines, otherwise one day their IQ will be over. •᎔• I originally wanted to deduct two stars, but after some hesitation, I deducted one star first. Supplement: I've read Chapter 60. Well, let's admit it. The male protagonist really loves the female protagonist, so don't be inexplicable. Addendum: After seeing the third world, I understand the meaning of one comment. I agree with that comment very much. The misery of the original protagonist and the ruthlessness and determination of the heroine have all become affectionate foils for the hero. The author actually focuses more on describing how the hero is distressed and loved. I don't understand. Shouldn't the focus be on how the heroine is? I found out that the author is not very good at writing emotional lines or something, so I deducted another star. One more addition: I've seen Chapter 244. In the world of romance dramas, the same problem has arisen - after the heroine came, she changed her attitude and no longer chased the hero like the original heroine. Several guests in the studio analyzed the heroine's behavior. The female actor (actor) (regardless of gender) said that the heroine really didn't like that guy, and the male emotional analyst (actually a Pu Xin Dengwei man) said that the heroine was trying to get away with it and was pretending. I thought maybe the female actor would retort at this time, but the highlight was given to the current male protagonist, who is now a male protagonist. The protagonist once again fell in love with the heroine at first sight, and defended her, making a long and shocking speech: "You (Dengwei Nan) are carrying private goods, you maliciously attack women, you do not respect women, etc." This plot is very similar to the plot in a TV series criticized on the Internet - a man said that women's menstruation is dirty, the hero retorted that it is a sacred thing (I haven't watched the show, I have only seen the clip). Why, has the topic of women now become a means to charm the hero? Reduced to a mere means, it seems that women are still treated as objects. Deduct another star.

Author, I want to fix the cp. The male protagonist in the first world is really good. He can kill people who want to harm him for the female protagonist. He also gives his space to the female protagonist so that the female protagonist can cut off his connection with the space. He is also a love brain. Please fix the male protagonist. The author is great. This male protagonist is really good. I feel that no one else can compare to this male protagonist. The author is great. Please consider it.

The first male protagonist is so good, he has a strong love brain and is okay with the female protagonist. How to watch the subsequent male protagonists? I really hope that he will be a fixed male protagonist. The author will consider it.

Seeing the updated part, it's really good. I highly recommend everyone to watch it. The heroine is not a virgin, she is egoistic, and her way of dealing with relatives in the first world is straightforward and she is more protective after coming from the end of the world. The relationship between the boy who should be the male protagonist in the first world gradually develops and is not greasy. The emotional description is great, but the female protagonist is slow. Both of them are able to eliminate the roots and solve the problems that threaten them early without delay. The heroine likes to eat melons, and it's really great to be invisible and eat melons to deal with problems. It's a very interesting setting. What I never expected is that besides the heroine, there is someone else who has room, and this person is the male protagonist of the first world. The setting is interesting and it's not a loss after reading it. If you keep writing like this, I will continue to follow it. Come on.

Nice! I like that the heroine will take action to deal with the enemy in advance. It is great to strike first. My favorite is the 4th plane. The family line makes people's hearts warm. Moreover, rather than saying that the heroine is here to help the original heroine revenge, I prefer two-way redemption. The heroine also feels that she is favored, singled out, and unswervingly chosen. These parents are really good, and the heroine becomes more and more vivid. It is not enough to watch, and it is tied again [crying]

The heroine has a pretty good character, and the person who takes revenge is very satisfying. The main story is worth watching, and the story is very strong. There are only two points that are a bit annoying, but I can tolerate it. First, many descriptive sentences are too watery, and there are too many repetitive sentences. If you cut it out, it will be a good article. Second, if there is a short story about the male protagonist, there will be a very awkward description of the plot, and you can dig out three rooms and two living rooms with your toes. It can have a male protagonist, but it should be less focused, and it would be better not to have too many and too heavy descriptions, especially some sentences are really embarrassing [face covering] I got goosebumps when I saw it, hahaha

The male protagonist in the first dimension was great, and the female protagonist's personality was also very pleasant. It just made me reluctant to let the male protagonist go. Will the male protagonists in the future be as good as the female protagonist? It would be a pity if not

The writing is so good. The male protagonist is really like a white moonlight. I hope it is a fixed cp for the first time. Teacher, this is the first world. It's not too late. Let's change the setting [I'm about to cry]

It's very good-looking, and the male protagonist's design is so nice that I even want to fix the cp. I'm afraid that the male protagonist in the next life of the female protagonist will not be as considerate as Song, who loves the female protagonist in such details [please taste it carefully]

Kill decisively, be able to eradicate the weeds without being merciful, never be entangled in internal conflicts, never suffer losses and protect food + store food in your bones. This is the great heroine who comes from the end of the world. She is much better than those delicate and soft-spoken heroines who come from the end of the world and are devoted to please Ren.