"Li Yu Is a Little Free" is an imaginative work that allows Li Yu, the empress of the Southern Tang Dynasty, to "refresh" his life. Reborn as a prince, he took the scapegoat of being the "king of the country's subjugation" in his previous life and determined to use fishing tactics to avoid the involution of imperial power - he started a live broadcast of fishing to become the "first fisherman of the Southern Tang Dynasty", used WeChat to compete with ministers, and turned the Chongwen Pavilion into a "royal fishing base for literature and art".
But fate forced him to go into business: the eldest brother's "workplace PUA", the second uncle's power drama, and Zhao Kuangyin's "takeaway-style subjugation package" forced the Buddhist poet to carry the country. When gold and sword met armored soldiers, when rouge and gouache became a diplomatic weapon, he could not escape the script from "art committeeman" to "taking the blame".
But why does the Begonia hairpin in Waguan Temple always flash with a secret code? What password is hidden in my sister-in-law's beauty live broadcast? He was under house arrest in a small building in Bianjing. In the lyrics written by Jiang Nanyu, was the key to a comeback hidden, or was it the more painful sorrow of separation? This "Guide to Self-Rescue from a Subjugated Country" that travels through thousands of years is probably more haunting than the melancholy of "Poppy Poppies".
