[Double heroines] [1V1] [Policy]
When Pei Li (sè) was born, he knew that he would be trapped for the rest of his life. His parents died, he was trapped in the capital, and he was trapped in a corner for the rest of his life.
Things are unpredictable, and her uncle still wants to kill her.
Since there is no way to retreat, we must go all the way.
Reader comments
This is very clear. One of the protagonists is a prince, and the other is the daughter of a third-rank official. I don't know what that person thinks. He sprays half a piece of it. King Zhuo now only has 2,000 wine bags and rice bags in his hand. The frontier army belongs to her in name, but in fact it is checked and balanced by another person.
After reading these more than seventy chapters, the overall feeling is that the story is very cleverly designed. The author has found a good balance between intrigue and emotional lines. The intrigue in the court and the sweet interaction between the protagonists complement each other, making the story more layered. The supporting cast is also impressive. Zuo Hong is simply a pistachio. The part in the hot spring village was particularly vivid, and the part about pigeons delivering letters made me laugh. The portrayal of Princess Shengyue is also very three-dimensional, and the chapter of proctoring the exam showed both her coquettishness and wit. The writing is very beautiful, full of ancient charm but not artificial. I especially appreciate the descriptions of life scenes, such as the scene where Pei Li's sleeves were scratched, and the descriptions of various snacks and teas, which make the whole story world particularly real. The character dialogue is also very particular, both consistent with the identity and natural and smooth. The character relationships are handled very well. Scenarios such as the queen mother urging marriage and the emperor pretending to be ill in the palace are very dramatic, and the protagonists' responses are both wise and sweet. For example, the scene where Pei Li arranged for Cui Fanxuan to be a bodyguard was very heartwarming.
The description of the memorial is consistent with ancient court etiquette, and the procedures for removing one's official title are also carefully researched. Details such as the review by the Ministry of Officials and the intervention of the Metropolitan Procuratorate are all very real. The character creation is particularly three-dimensional, and the emotional lines between Pei Li and Cui Fanxuan are handled exquisitely. It is not simply written as a domineering prince falls in love with me, the narrative rhythm is controlled just right
The plot is intertwined and well written. It requires some brain cells to read, but it is still relatively straightforward and there are not many twists and turns. However, the plot is compact and the emotional line is very clear, at least everyone can open their mouths.
I don't know why, but I always feel that there is a hidden thread, and King Zhuo feels that something will happen in the future.
But overall, we can see the author's exquisite balance between serious power and sweet love. In particular, the female characters are very modern but not inconsistent. The textual research is also very attentive. The imperial examination process is written in detail, checks and cheating are very professional, the details of the Imperial Academy work, and the plot arrangement, the two-line parallel structure is very mature. One is the bright line about the emotional development of Pei Li and Cui Fanxuan. In terms of character creation, several main characters are very three-dimensional: Cui Fanxuan is soft on the outside but strong on the inside, calm and decisive when facing Gao Panyi's harassment; Pei Jie is cold on the surface but affectionate in reality; Gao Panyi's image as a hypocrite is successfully created, and the transformation from sanctimonious to revealing his true colors is very real. Supporting characters such as the talkative Shao Guan and the loyal Ni Sui also have distinctive personalities. On the emotional line, the relationship between Pei Li and Cui Fanxuan develops naturally.
The writing is very good. The protagonists should be King Zhuo and the princess reading it together.
This is very clear. One of the protagonists is a prince, and the other is the daughter of a third-rank official. I don't know what that person thinks. He sprays half a piece of it. King Zhuo now only has 2,000 wine bags and rice bags in his hand. The frontier army belongs to her in name, but in fact it is checked and balanced by another person. After reading these more than seventy chapters, the overall feeling is that the story is very cleverly designed. The author has found a good balance between intrigue and emotional lines. The intrigue in the court and the sweet interaction between the protagonists complement each other, making the story more layered. The supporting cast is also impressive. Zuo Hong is simply a pistachio. The part in the hot spring village was particularly vivid, and the part about pigeons delivering letters made me laugh. The portrayal of Princess Shengyue is also very three-dimensional, and the chapter of proctoring the exam showed both her coquettishness and wit. The writing is very beautiful, full of ancient charm but not artificial. I especially appreciate the descriptions of life scenes, such as the scene where Pei Li's sleeves were scratched, and the descriptions of various snacks and teas, which make the whole story world particularly real. The character dialogue is also very particular, both consistent with the identity and natural and smooth. The character relationships are handled very well. Scenarios such as the queen mother urging marriage and the emperor pretending to be ill in the palace are very dramatic, and the protagonists' responses are both wise and sweet. For example, the scene where Pei Li arranged for Cui Fanxuan to be a bodyguard was very heartwarming.
The description of the memorial is consistent with ancient court etiquette, and the procedures for removing one's official title are also carefully researched. Details such as the review by the Ministry of Officials and the intervention of the Metropolitan Procuratorate are all very real. The character creation is particularly three-dimensional, and the emotional lines between Pei Li and Cui Fanxuan are handled exquisitely. It is not simply written as a domineering prince falls in love with me, the narrative rhythm is controlled just right
The plot is intertwined and well written. It requires some brain cells to read, but it is still relatively straightforward and there are not many twists and turns. However, the plot is compact and the emotional line is very clear, at least everyone can open their mouths. I don't know why, but I always feel that there is a hidden thread, and King Zhuo feels that something will happen in the future. But overall, we can see the author's exquisite balance between serious power and sweet love. In particular, the female characters are very modern but not inconsistent. The textual research is also very attentive. The imperial examination process is written in detail, checks and cheating are very professional, the details of the Imperial Academy work, and the plot arrangement, the two-line parallel structure is very mature. One is the bright line about the emotional development of Pei Li and Cui Fanxuan. In terms of character creation, several main characters are very three-dimensional: Cui Fanxuan is soft on the outside but strong on the inside, calm and decisive when facing Gao Panyi's harassment; Pei Jie is cold on the surface but affectionate in reality; Gao Panyi's image as a hypocrite is successfully created, and the transformation from sanctimonious to revealing his true colors is very real. Supporting characters such as the talkative Shao Guan and the loyal Ni Sui also have distinctive personalities. On the emotional line, the relationship between Pei Li and Cui Fanxuan develops naturally.
The writing is very good. The protagonists should be King Zhuo and the princess reading it together.