Reborn in 1999, Lu Chen looked at the Nortel registration form and smiled.
In his previous life, when he became a third-rate director, others had already made him a god.
In this life, he decisively applied for the Nortel Directing Department, and Gianzhuangzhuang was shocked at the interview: "The fifth generation of directors is too symbolic!"
Before the start of school, he did two things: find Huang Bo to film "Get in the Car, Let's Go", which cost 300,000 yuan;
Knocking on the door of Hairun Company: "I bought the script of "Bright Sword" on the condition that I want to be the director."
While students are still worrying about classwork, Lu Chen's first TV series has landed on CCTV's prime time slot.
The school belle of China National Theater School looked on coldly: "The upstart from Nortel."
The Nortel senior bit her lip: "For the script discussion... Can you come to my dormitory?"
The Hong Kong entertainment daughter handed over the black card: "I want to be the heroine in the next film."
A few years later, Lu Chen reached the top of the global film industry.
When reporters asked about the secret of his success, he smiled and pointed at the four actresses behind him:
"They said... If they don't invest in me, they will make me go home and kneel on the keyboard."
Reader comments
The emotions of the characters are a bit inexplicable. The writing was good at the beginning, but suddenly it felt like the story was developing in a fast lane, and the rhythm was broken.
How can I put it, the timeline is very messy, it's like reopening a parallel world, but it's hard to get into, but the writing is good.
The emotions of the characters are a bit inexplicable. The writing was good at the beginning, but suddenly it felt like the story was developing in a fast lane, and the rhythm was broken.
How can I put it, the timeline is very messy, it's like reopening a parallel world, but it's hard to get into, but the writing is good.
It's a bit fragmented and forced to show off.