Her princess syndrome is her shield, and her arrogance is the weapon she uses to hide her loneliness. That is, until she meets Meng Sishen, the Meng family’s second son, a wild, unruly man who treats family duty as meaningless.
At their first meeting, she flies into a rage over a limited-edition dress, while he leans against the counter and teases her for having “terminal princess syndrome.” At a family gathering, he deliberately steals her dessert, so she splashes red wine all over him. Though they clash at every turn, they recognize kindred spirits in each other’s flaws: she acts spoiled to get attention, while he hides from responsibility behind his carefree attitude.
When a “fake heiress” meets a “devil-may-care heir,” will it be a comedy of mutual disdain, or an unspoken salvation? Under pressure from their families, they undermine each other, yet comfort one another in private. She learns to let go of her pride, and he tries to shoulder his responsibilities. What began as a tangle of prejudice ultimately becomes the one place each of them belongs.
“Shi Yang, stop pretending. The loneliness in your eyes is just like mine.”
“Meng Sishen, mind your own business… But take me with you next time you go street racing.”
The collision between a fake heiress and a spoiled rich heir turns out not to be like planets crashing together, but two lonely souls finding their way to each other.
