Traveling Through the Tang Dynasty to Be a Magic Stick, Li Bai Took Me to the Hot Search

I just finished reading the latest "Li Bai's True Story", and I really can't help but give it a five-star review. Li Bai in this film truly has a vivid soul, and his wild and uninhibited demeanor comes to life on the page, instead of simply being reduced to a "translation tool" that promotes the male protagonist's perspective. In "Searching for the Truth", the progressive mood of "Looking at a mountain is a mountain, looking at a mountain is not a mountain, looking at a mountain is still a mountain" is well written. The mountains and rivers seem to be the same, but the state of mind of the viewer has already experienced precipitation and gained an additional layer of profound understanding. This delicate expression is very touching. I can feel that as a newcomer, the author's early rhythm is indeed a bit casual, and occasionally there are traces of writing wherever he thinks. The content of some chapters is slightly repetitive, and it will inevitably feel dull after reading for a long time. Fortunately, the chapters are relatively independent, and skipping a few chapters will not affect the overall understanding. It is a considerate design. However, since the appearance of Princess Yuzhen in Chapter 33, the whole story has become significantly more stable. Her appearance not only neutralizes the overly enthusiastic interpretation of Li Bai in the early stage, but also makes the male protagonist's behavior more logical and no longer just "being stupid". From here on, the skeleton of the story can be truly established. Other characters, such as Yuan Tiangang, do have some "facial makeup", but as the author said, this is to allow readers to quickly understand the core characteristics of the characters, and it is not a shortcoming. After all, the focus of the whole book is always on the male protagonist, Li Bai and Yuzhen. It is very skillful to be able to write these three characters with their own characteristics and vivid three-dimensionality. The male protagonist's growth line is very natural: from the initial anxiety and resistance, to the inability to control himself in the middle period, to later letting nature take its course, and even actively using his identity to bring warmth to ordinary people. His hard-spoken and soft-hearted temperament, coupled with the occasional venomous remarks, this contrast is both real and endearing, and is also an important source of laughter in the book. Li Bai's character design is even worse. From the initial fanatical admiration of the male protagonist to the later relationship between mentor and friend, the transformation has become a matter of course. In the chapter of the Shangsi Festival, "Next to the Wine" was changed to "Sister Yuzhen, a good friend and teacher", which not only fits the situation but also hits the core, making people feel warm in their hearts. The most rare thing is that although Li Bai is a bit casual and even "childish" in front of the male protagonist, he is always the uninhibited, chivalrous and courageous Li Taibai to the outside world. He has not been reduced to a "interpretation tool", but a real flesh-and-blood existence. The creation of Princess Yuzhen is also very successful. The author assumes that she is only a few years older than the male protagonist, and the unique tenderness of a big sister, as well as the details of passing the heater and stuffing the candied fruit, all seem natural and appropriate. Her calmness and gentleness are in contrast to the male protagonist's "salted fish" and Li Bai's "boldness", but they are perfectly integrated, like a lubricant balancing the sharp edges of the two. Without her, the story will lose its charm. I'm really looking forward to tomorrow's update of "Yu Zhen's Theory of Taoism", hoping to further flesh out the character of Princess Yu Zhen. This work is worth continuing to follow! ! I've finished reading "Yuzhen's Theory of Taoism"! ! Also very exciting! ! Different from Li Bai's confused and heavy atmosphere in "Searching for Truth", "On Tao" seems relaxed and comfortable because the male protagonist is by Yu Zhen's side. As expected, no one in the Iron Triangle can survive! Senior Sister Duan Chen just appeared as a pure and vicious female villain. Unexpectedly, the author later wrote this character in a full and three-dimensional way. It is not a villain with a facial makeup, nor is it a blunt whitewash. It can be seen that the author is still very good at writing characters when needed! "On Taoism" and "Searching for Truth" reach the same goal through different paths. Li Bai and Yuzhen realized the same truth in different situations, which is in line with the sentence in the book, "Bamboo can be in the garden or in the field. If the heart is pure, everything will be pure." It is really appropriate. Finally, I want to say that the author should not be discouraged. Although it is often said that "the fragrance of wine is afraid of the depth of the alley", I firmly believe that "gold will always shine"! ! —— I have also finished reading the two latest extras adapted from lyrics, "Nu Guanzi Burns the Manuscript" and "Nu Guanzi: The Polygonum Flowers Fade". If the daily text is like pearls of different sizes, some are round and some are dim, then these extra chapters are sparkling gems! Every one is unforgettable! !

Let the protagonist become a real fairy, otherwise it will be meaningless.

Although some explanations are far-fetched, it can be seen