The Light Behind the Drawing Paper

Shen Ming slipped into a campus novel and became a passerby with no sense of existence. The trauma of cold violence in reality made her extremely sensitive to intimate relationships, and she was used to using "selective social interaction" to disguise herself - crowded crowds would make her physically uncomfortable, and she just wanted to survive in this new world in a low-key manner and start to change again. Qi Yi, who is in the same class, is a "damp male ghost" boy who lives on the edge of the crowd. The shadow of his broken family makes him wary of the outside world, and he is used to hiding his worries with a paintbrush. He was like a vine in a damp corner, silent and stubborn, with a sense of alienation that was incompatible with his surroundings, as if a thin layer of fog shrouded his whole body, blurring and isolating him. Two people who are also hiding in the shadows should be on parallel lines without disturbing each other. But Shen Ming could always accurately capture his presence in the hustle and bustle - that similar resistance to the crowd and avoidance of being "seen" was like a weak signal in the dark night, which she couldn't ignore. And Qi Yi also secretly woven her image into the doll and hid it in his pocket. He loved to think a lot but was not good at expressing it. Once he identified it, he longed for "exclusively for each other", silently and stubbornly like a vine, wanting to quietly wrap around the equally quiet moss. When a sensitive escapee meets a paranoid guardian, the two souls who are accustomed to self-isolation unconsciously notice each other and tentatively approach each other in the corner of the campus. A cautious and pure love story with secret possessiveness quietly grows in the humid air.