No More Passing Years in Light and Shadow

Using Zong Zhengguang's life as a mirror, we can see the entanglement of trauma and redemption, and the words are like a scalpel cutting through the abyss of human nature. The light and shadow no longer flow, but the fleeting time is solidified in the words. Each character is a monument against time. From "King of Children" to a lonely writer, the transformation of identity hides the answer to how trauma can reshape life. The novel is like a multi-prism, reflecting the shadows of family, campus and society, making people think deeply about the real dilemma.

In the narrative intertwined with light and shadow, each character is a silhouette of the times, and pain and warmth tremble between the words.