This article is a hodgepodge adaptation of the four major classics. The difference from other adaptations is that the adaptation of the four major classics is most afraid of "old wine in new bottles." And letting Lin Daiyu stand in the Lingxiao Palace with a golden hoop and scold the Tathagata is essentially using absurdity to deconstruct the sublime - when the character realizes that he is a literary puppet, that anger is the most authentic creative light of mankind.
