Everyone knows that the painter Jiang Wanyi can paint all kinds of things in the world with a single stroke, and she is especially good at "painting divine bones" - it is said that wherever she paints, she can not only look at the human body, but also get a glimpse into the human soul. She is a cold orchid that cannot be invited by high-ranking people in a deep house, and a mysterious anomaly that the powerful and powerful strive to be their guest. She has painted generals with strong armies and iron horses, as well as queens in deep palaces. The characters in her paintings are all vivid in form and spirit, as if even the mystery of their fate has been imprinted on the silk.
However, no one knows that Jiang Wanyi's painting skills are unusual. Every painting that is handed down from generation to generation consumes a bit of her soul power and also hides her unknown secrets. The "sacred bones" in her paintings are sometimes the revelation of the truth, sometimes the foreshadowing of fate, and may even lead to death.
When a decree broke her quiet life and required her to "paint a divine bone" for Xiao Jingyan, the most mysterious and elusive King of Yan at that time, Jiang Wanyi felt troubled for the first time in her life. It is said that the King of Yan was decisive in killing and wielding power in both the government and the public, but his heart was as dark as iron, and no one could get close to his heart. Can Jiang Wanyi describe his "sacred bones" through his deep and abyss-like appearance? And when the brush touches the deep secret, how will she deal with the ensuing crises and love affairs? This is not only a competition between painting and being painted, but also a touch between soul and soul. What she wants is nothing more than "painting bones and happiness", a home where she can take off her paintbrush and enjoy a moment of tranquility. But where is the happiness in this troubled world?
