As the most talented Nascent Soul monk in the sect.
Carrying the expectations of his master, Chen Fan came to the West and became an exchange student at the Magic Academy.
Just looking for the legendary god with endless longevity and the art of immortality.
But as soon as he arrived at the academy, he discovered that the people on this continent were too weak.
Facing the teacher's difficulties in class, Chen Fan casually used a talisman to break the defensive magic he was proud of.
In the library, after seeing Chen Fan's spiritual consciousness, one of the most powerful mage in the contemporary era, he couldn't wait to run to the east, just to obtain the spiritual cultivation method.
In the potion class, while others were still boiling weird green soup in their pots, Chen Fan demonstrated alchemy without a cauldron with his backhand, telling everyone what real alchemy was.
Facing the siege of the god's remnant soul, Chen Fan smiled slightly.
"If you have anything to say, tell me about Thunder Tribulation!"
Many years later, the great sage of the Elf clan, who was famous for his longevity, knelt in front of Chen Fan's door and shouted at the top of his lungs:
"Is it really impossible to cultivate immortality without spiritual roots?"
Reader comments
The subject matter is good, but the plot is too blunt. It feels like you get whatever you want and do whatever you want, all by force.
In terms of the plot, the author can change the approach. A secondary event occurs during the main event. This secondary event is the next time, or the main event character of the next time.
For example, in class, introduce the surrounding environment and the characters of each classmate. If it has nothing to do with the subsequent plot, you don't need to write it too clearly. If it does, you have to explain the role. Then beat the teacher in class. After the beating, the whole class is shocked that you are so powerful. Then introduce the inner drama of the classmates, and arrange for a few idiots to verbally criticize you.
These are all okay, but the main thing is that you can't act as if the incident was something you instigated or provoked, but happened passively, do you understand?
There is only one event that I actively look for, and that is to effectively promote the main thread (finding ways to extend life)
It looked so embarrassing. Make a bet with the protagonist and kowtow if you lose. The other party kowtowed, and the blood left on his forehead. 666 Do you not want to live anymore or do you have to bleed? And if I lose a bet and kowtow, I don't really want to watch it. I don't have much hatred. Who can make such a big bet?
The subject matter is good, but the plot is too blunt. It feels like you get whatever you want and do whatever you want, all by force. In terms of the plot, the author can change the approach. A secondary event occurs during the main event. This secondary event is the next time, or the main event character of the next time. For example, in class, introduce the surrounding environment and the characters of each classmate. If it has nothing to do with the subsequent plot, you don't need to write it too clearly. If it does, you have to explain the role. Then beat the teacher in class. After the beating, the whole class is shocked that you are so powerful. Then introduce the inner drama of the classmates, and arrange for a few idiots to verbally criticize you. These are all okay, but the main thing is that you can't act as if the incident was something you instigated or provoked, but happened passively, do you understand? There is only one event that I actively look for, and that is to effectively promote the main thread (finding ways to extend life)
It looked so embarrassing. Make a bet with the protagonist and kowtow if you lose. The other party kowtowed, and the blood left on his forehead. 666 Do you not want to live anymore or do you have to bleed? And if I lose a bet and kowtow, I don't really want to watch it. I don't have much hatred. Who can make such a big bet?