I Became the Factory Director's Daughter, and I Made My Live-In Son-in-Law Weep

Transmigrated into a book + strong female lead + 1980s setting + farming + effortless motherhood + devoted couple + taking down scumbags + no awful characters + family life + children take the heroine’s surname Tao Moli transmigrated into an 1980s novel as an only child. She had no pocket dimension, no golden finger, only a month-old baby and a live-in husband who was beaten by the original owner every day. Looking at this “cockroach,” bullied by the whole family but impossible to kill, Tao Moli decided to treat her husband, at least nominally, a little better. Men were people too. In the original story, her husband would become a big shot in the future, but Tao Moli had no intention of clinging to his coattails. She had a child and parents. Depending on a man was foolish. The child would take her surname. She’d clear some land and grow cotton! She’d stand up to her parasitic in-laws and her self-important brother-in-law, and leave the big shot so touched he wouldn’t know what to say. Making money, running a business, honoring her parents, and raising her child: Tao Moli had it all in hand! Zhou Minche: “You’re so good to me. Do you like me?” Tao Moli: “Yeah, yeah, whatever you say!” The big shot was falling head over heels, and she didn’t bother to explain. When the big shot met his first love in secret, Tao Moli magnanimously said, “Come sign the divorce papers. I’ll let you two be together...” When the big shot got jealous, Tao Moli sighed. “Jealousy is just a little man’s game.” How had a perfectly good big shot turned into a doting husband around her? (This story is entirely fictional. Any similarities are coincidental. A lighthearted, sweet rural story set in the 1980s, with transmigration into a book and no awful characters.)