Life in the East Courtyard of a Beijing Siheyuan

It's a very good novel, but I'm a bit confused. Many novels describe Yi Zhonghai and the deaf old lady as a bit exaggerated. It's not easy for people like them to live in any era. They are all transparent and low-key. I think in many novels, they jump around like this. In reality, they teach him how to behave in minutes, especially before liberation.

When the Military Control Commission was registering the ingredients, it was discovered that there was something wrong with Mrs. Long and Yi Zhonghai. Why did it seem that there was no follow-up later, and then they were still jumping around there?

The author's writing style is sophisticated and mature, and the pace is neither hasty nor slow. I thought there was something wrong with it when I read the comments, but after reading it I realized it didn't appeal to some people. First of all, if it's not fun enough, you have to kill everyone. Then, how can Silly Pillar have a good outcome? It must be the culprit, the licking dog, who is slapped in the face by the protagonist, and has his hands and feet amputated. It is a trivial matter, so arrangements must be made to remove the roots and paralyze him. Finally, Qin Huairu, the best wife for Bai Yueguang, the lover of the public, could not bear to be wronged. Arrangements were made for the protagonist to marry home with one blood, which was necessary to fulfill the dreams of the readers. Hahahahahahahaha, the summary is in place, the author is planning the next book! Just kidding, the author writes at his own pace and writes whatever he wants. There are so many tomato novels that it's hard for everyone to agree, and there's always dissatisfaction. As long as you are happy, if you write about happiness, there will always be people who will be happy to read. Come on!

What I wrote before is okay. After Yi Zhonghai's divorce, he transformed into a big boss. Both the protagonist and the reborn Silly Zhu were intimidated. That's because Yi Zhonghai has a hidden identity - a police officer from the Space-Time Administration who specializes in catching people who destroy the timeline. Therefore, the protagonist is obedient to Yi Zhonghai.

A time traveler meets a reborn person, the rhythm is slow and unhurried. . . Live a simple life and slowly integrate into the times. There is no such thing as Shuangwen, who is omnipotent in the sky and on the earth as soon as he comes up. As you read the text, you can feel the alienation and loneliness of a traveler in a new and unfamiliar environment. It is very real.

The author's writing style is solid and he is good at line drawing. The scenes are full of fireworks and the narrative is smooth. Capable of capturing specific events to create a sense of era atmosphere. However, the current plot is on the bland side, with insufficient conflict and excitement, and the pace is also on the slow side. The setting of Yi Zhonghai as the "talker in the courtyard" has not yet been established (Chapter 137). Siheyuan is essentially a large courtyard with no clan ties and each family is financially independent. It is unfeasible for a speaker with neither real power nor official authorization to rely on moral kidnapping to allocate resources and execute punishments.

The writing is very good. It is a rare work in the Siheyuan universe. It follows the history and lacks some nonsense, but it is still very interesting. You will not get tired of reading it and give up the book. The disadvantage is that it is not finished and I almost finished it. I hope the author can write an original female protagonist. After all, the male protagonist is very structured and patriotic, not the kind of violent person.

The plot development of this story is basically consistent with the background of the times. I was born in the 1950s and lived in the alleys of the capital for a long time. Reading this book felt close to nature, and the scenes of my past life came to my face...

The identity of the old lady has been checked from the beginning. Have you found out now???

The plot unfolds slowly and without hesitation, with a sense of historical depth and realism.