Myriad Worlds: Marrying Qin Huairu in the Siheyuan and Having Eight Children

The writing is quite good. Although the plug-ins are not very good, they are very practical, and the writing and plot are very smooth, without any poisonous points, which makes people feel comfortable. It's much better than those who try their best to come up with various routines, which results in a stiff plot and a lot of poisonous points.

The advantage is that it is concise enough to end the story before it gets boring and then open up the next world. The disadvantage is that there are too few connections between each story, and the male protagonist cannot inherit the skills. He can only take the knowledge in his head and the cleared system space with him.

It's quite novel. This is the first time I've seen such a fast-travel story. I like to read stories with cp, but I don't like to read too boring ones, because in my opinion, especially if the ancient statue is made into an emperor, I think it would be better to have his own heirs. If you adopt a clan or train a successor, it feels like you are working part-time. This one feels very well written, very good, and the character of the male protagonist is also well written. The only bad thing is that the author is too slow in updating. It took him so long to write just a little bit. You have to work hard and update it quickly

In fact, they are not bad. It is also normal to have eight children in a courtyard. In my grandma's generation, there was no cap on starting at five. Why, the child mortality rate is too high, even a cold or a cold can send someone away. There is no penicillin or cephalosporins, and not many children die by the water every summer. When I was in junior high school, I saw our geometry teacher diving into the water to bring up a classmate who was about to sink to the bottom. I didn't feel anything at that time. Looking back now, I realize that this teacher was the re-created parent of the real classmate's family at that time.

It's quite interesting, but the protagonist is cleansed in every life, leaving nothing behind but knowledge, which is a bit of a loss. After I step into the role of the protagonist, I always think about the wealth, superpowers, and martial arts, and my heart aches to death. I suggest that the author retain some of the protagonist's spiritual power. It can be said that there was not enough accumulation in the first few worlds and the spiritual strength was not obvious. In the future, when you travel through time, you can use your spiritual power to teach yourself some spiritual practices, such as Yang Shen, Yin Shen, etc., Such as telekinesis, hypnosis, etc. After all, the protagonist is a spiritual time traveler. It can be set that the human body will die and the spirit will also perish. However, the existence of the system preserves the protagonist's spiritual body. Every time he travels, the essence and spirit remaining in the previous life will be unified and returned to the original spiritual energy to enhance the protagonist's spirit and ensure that the protagonist will not die spiritually. In this way, the protagonist can accumulate a little spiritual energy in each life. From life to life, he will go from Yin God to Yang God, then become Yuan Shen, and finally condense the true spirit to become immortal.

The first story is very good, with a relatively fast pace. It's not just one thing that took a long time to write. It has a sense of editing. I have watched many of the original Siheyuan dramas and fans. Some are warm and some are violent. The author has his own style, and it's fun to wear it quickly. The sense of immersion in the second story is a little worse, maybe because I have read too much of Siheyuan. The characters already have their own appearance, and there is an image without too much description. The second story is a cool story in the early stage, and the protagonist takes decisive action, but I haven't read it until halfway through. Overall, the writing style is smooth and the pace is fast, but it feels like reading a short story. There is no correlation between each story. I don't know what the protagonist's main line is. It is not connected and the stickiness is not strong enough.

Confucius said: Standing at thirty: You have to update 30 chapters every day to gain a foothold in the online literary circle. Forty-year-old: You have to update 40 chapters every day so that you can continue to receive thanks and praise from readers and no longer be confused about the meaning of writing. Knowing your destiny at fifty: If you update 50 chapters every day, you will be destined, and the entire website will praise you. Sixty and easy to listen to: If 60 chapters can be updated every day, everyone including editors and readers will be able to hear what they say. When you are seventy, you should follow your heart and never go beyond the rules: If you can update 70 chapters every day, then you will be the king of online literature and you can do whatever you want!

The writing is very good. Both the narrative and the storyline are very complete and coherent, without any delay. I hope the author will maintain this style in the future. Alas, the only sad thing is Qin Huairu in the first life. In the first life, he was described as quite happy. In the end, he died naturally, which was a little sad.

The world of Siheyuan is well written, and you will never be merciful to those who want to harm you, and you will kill them when you need to. Next, I haven't chosen this world yet, so I might as well write about the world of Hong Kong movies. A friend of mine wants to ask the author if there will be an ancient world, such as collecting gold hairpins in the Red Mansion, a world of shooting eagles, etc.

Zhutianliu's novel has a concise plot and is not watery at all. Killing the boss directly in Siheyuan is not a stretch at all, it is very refreshing. The other worlds have the same style. They are always fun and refreshing, without any nonsense. What's even more rare is that Gold Finger was controlled very well, without overstepping the boundaries that would lead to a breakdown in combat power and plot. The audiobook version is still excellent, the characters are well performed, and the dubbing soundtrack is well worth listening to. There are also problems, that is, the pace of each world is very fast, and you can just go back to it when you are done. Many characters have very little plot, and there is almost no characterization and interaction. Moreover, there has always been no main world and no main line. The things learned in each world cannot be expressed or realized in the main world, and there is no foundation. Throw it away after using it in every world, just like working outside every day, but in the end you don't even have a home. When you are exposed to gold and silver at work, you will find that none of it is yours. If the things or abilities brought from traveling in various worlds can bring benefits to the world you live in, establishing an organization or even a country can be regarded as a kind of realization. At least walking on two legs will be more comfortable and enjoyable. I hope the author can add some appropriate content to the subsequent content and plot.