During the Yuanhe period of the Jokhang Dynasty, Pei Zhao, who was born in a Liyuan family, was reduced to a prostitute in a court due to his father's sins. With his photographic talent for drama and his ability to observe words and expressions attentively, he fought back step by step from the lowest-ranking handyman to an actor. She used drama as a sword to sing all kinds of things in the world at the banquets of dignitaries and palace celebrations. She not only used "The Injustice of Dou E" to satirize official corruption and save the wronged people, but also used "The Palace of Eternal Life" to awaken the confusion of imperial power and sex, and even used the theater troupe as a bait to disrupt the enemy's elaborate conspiracy during border crises. In the process, she and Xiao Yan, the cold-faced supervisory censor, used each other to become deeply in love, and finally broke the shackles of "an actor's low status" and became the first female class leader in the history of Zhao Dynasty. The "Jinghong Troupe" opera she founded was recorded in the "History of Zhao Dynasty."
