Quick Transmigration Through the Eras: A Guide to Helping Villainous Cannon-Fodder Families Save Themselves

After Meng Yitong was killed by a flowerpot on her way home from work, she somehow transmigrated into all kinds of period novels, becoming a villain’s cannon-fodder relative!

Lying flat was out of the question. She had to save herself and stay alive, while keeping a close eye on the villains to make sure they didn’t cause trouble.

Fortunately, she had a Tomato Writing System. She had to write 4,000 characters a day, and in return received supplies and one gram of gold each month.

1. The villain’s eldest sister, who died young in childbirth in the 1960s: She had to choose between getting married and raising five children? What a difficult life. She’d face it head-on!

2. The villain’s love-struck younger sister in the 1970s: She wouldn’t be a love-struck fool or burn down her family for the hero. The villain would become the protagonist, and she’d be the beloved younger sister of the protagonist’s circle, living a carefree life.

3. The villain’s nanny mother in the 1980s: You want me to be a free nanny and take care of your paralyzed parents? Dream on. Your parents have seven children, after all. Why should the daughter-in-law from the countryside, who was already abandoned once, be the one to do it?

4. The villain’s child bride mother, who died by suicide in the 1950s: Suicide was out of the question. Staying alive was what mattered. And she wouldn’t let them manipulate or slander her, either. She’d divorce him, help sort out the job, and keep the child. After that, she’d deal with him as she pleased. In the end, the protagonist’s family would lose more and more of their fortune and disappear completely, while the villain became the protagonist.

5. The villain’s peacock-proud mother in the 1980s