**

The plot is not new, but the heroine's acting is really great.

The female lead has great skills, and her interpretation of forbearance and letting go is very good, and she breaks everything when she needs it. Although the plot is cliche, it is handled properly and not obtrusive.

I've seen it before, but haven't commented on it. Comment now. Women must first learn to love themselves before falling in love!

[Love] [Love] [Love] I feel a little sour after watching it [I almost cried] The plot and picture are very good. May we all avoid internal friction, stay away from things that make us uncomfortable and painful, and give up when it's time to give up [Sending Hearts]

Very good, both the original sound and the acting are very interesting

Very beautiful, the best I have ever seen🥺

Well, I watched it twice and still finished it

The male protagonist Mr. Pei played by Zhang Lei indeed looks like a domineering, mature and warm man!

The play breaks the traditional "silly and sweet" heroine routine. After the heroine Wen Yining discovered that her boyfriend Gu Xizhou, whom she had loved for five years, was used as an "emotional substitute", she did not fall into endless entanglements or self-doubt. Instead, she decisively chose to accept the proposal of marriage partner Pei Yuzhi and quickly start a new life. This heroine setting of "sober, independent, and timely stop loss" is very much in line with modern audiences' expectations for a "big heroine". The plot advances quickly and has many reversals. For example, Gu Xizhou's "White Moonlight" Shen Qinghuan continues to provoke after her appearance, but the heroine always responds calmly, which is very refreshing to watch. The actors' performances are outstanding and their characters are relatable: Wen Yining, played by Han Yutong, has an intellectual temperament and delicate acting skills, and interprets the heroine's process from affectionate to heartbroken to awakening in a clear-cut manner; Gu Xizhou, played by Zhang Lei, portrays the "scumbag" The performance is infuriating and real, in line with the setting of a "pendant male protagonist"; and the second male lead Pei Yuzhi's character is more three-dimensional than the average "tool man", with swings and entanglements, imperfect but real, making it easier for the audience to empathize with emotions.