The Beautiful, Strong, and Tragic Doctor Is Actually the Black Organization's Boss

He only cleared the mines for friends who came here for the black label of the copywriter. He said that Conan was his own (whose child he forgot) and let Mao Lilan adopt him. He saved Miyano Akemi and said that he turned into a vest. In fact, he still retains his own consciousness. He also allowed Akemi to do things for the black party (worked as a nanny in the protagonist's house, gave Gin a job, and let Bourbon come later). At the top, the system tasks include strengthening the organization, but not much about developing the organization. I occasionally make some money for the organization, and there is no situation of suppressing the red party. I do tasks in cases, but take care of Conan like a nanny. There is a plot of sacrificing one's life to save Conan (I don't know what the author will write later, I saw the current demining) Summary: There is relief, it is reddish, a little black but not much, it is black, not black, not red.

It's a very novel theme, haha, there is a surgeon who fears hemophobia, and the vest setting is also very interesting. Whoever is saved becomes a vest, but the consciousness of the vest itself will not disappear. The most interesting content at the moment is an operation on the boss of the winery, and the boss turned into his own vest. An unexpected development. The writing style is not particularly outstanding, but it is very coherent. It is not uncomfortable or embarrassing to read. The updates are also quite stable, with one update every day. There is a little bit of interaction between Poison Bar and the vest that may be misunderstood by others, but I think it's quite fun to watch.

I've finished catching up on the updates now, and I have something to say [laughs] It's not like pure black, but more like a reddish color with an uncertain stance, a bit like Conan's old lady. Well, it doesn't feel like it fits the previous public settings of the 4th Natural Disaster. It's interesting [like] The protagonist is very calm, but most of the time I feel that he is dull [laughs] The setting of the characters is a bit bloody, but it is within the acceptable range, which is not bad. The writing saves everything [Like] [Like] [Like] I feel that the cases do not need to be written one by one, and the unimportant characters and things can be skipped. The characters of Kobayashi Shinya can be written less. Although the three-dimensionality of this character is highlighted, but turning one page after another is full of unimportant characters or ordinary characters and his daily life, which is really a bit impatient [almost crying] [almost crying] Can the protagonist lose his horse? Sometimes there are some jokes, and the author makes me feel very friendly, like a fish that cannot be killed, la la la [Thinking][Thinking] All in all, all in all, let's see how to write [thinking] [thinking] [thinking] [thinking] [thinking] [thinking] [thinking] [thinking] [thinking] [thinking] [thinking] [thinking] [thinking] [thinking]

In addition to stealing other people's scenes, secretly dissing characters, and doing some inappropriate little things, there is no big problem. To be honest, I don't think Ke Tong has high requirements. He doesn't bully Conan and Akai, doesn't criticize Conan Akai, doesn't tear down Xinlan, doesn't lick police officers (especially Matsuda Jinpei), and treats Gin a little better – if possible, he will win over Gin in the end and find a reliable buyer for Gin. In general, it would be OK not to include objective descriptions of private goods and to provide support for gin, but few can achieve this. Everything in the world is just the background for the main character to play. It's too domestic and has no sense of reality at all, which led to me frequently acting out. It's very difficult. To be objective, can't we live if we don't bully or oppose others? I know that some writers are limited by their writing skills, but they are crazy about stuffing their stuff with themselves, thinking that they are sober and rational. They are not good enough to simply narrate, but they still act like a cyber daddy to the readers. They look like "my understanding is right", which is really childish. I haven't finished reading yet, so that's it for now.

I especially love watching the protagonist getting along with his family. I don't know why, but the knife will be doubled, and although it is painful, it will also be particularly satisfying. Then I will re-read the words that make me heartache, and feel the feeling of being ignored step by step. At that moment, I feel that my soul has been sublimated❥ ฅ՞•ﻌ•՞ฅ

I like this kind of black text, and I mostly use Conan. I just like children after getting along for a long time. As long as Conan can be killed, I think the protagonist can do it now. It is just annoying to set Conan as a person who cannot be killed. After reading too many Ke Tong novels, I actually feel that Shirley is quite ignorant. The organization spends money to support her after all. The organization whose parents both died can be considered to be sponsoring her, right? He and her sister attracted an undercover agent like Akai Shuichi. They both thought about betraying the organization every day. If you can't do it, you should research something else. Remove the ability to kill the A drug. What the organization wants is not a killing drug. Can that thing have a gun to use? I actually prefer Shirley's death, but this article is not obtrusive at all. I watched Shirley and her sister survive, and I think it is very reasonable. Like [please update]

Since the text is in red, please mark the introduction clearly [laughs awkwardly]. Does Ke Tongwen of Tomato have any KPIs that need to be completed to save Miyano Akemi?

It's okay, it feels more red. I've put down the gin and let the bourbon come up. Those who came for the gin can go back, and it feels a little messy. I can't understand it.

It's good to watch. I just finished it. Now I'm very curious about the story of the identity of the player "Sibule", and the protagonist and the vest (referring to Kobayashi Yukiya) have a good relationship (*¯¯*)

It's dark but reddish. As the boss of a winery, I feel like there aren't many scenes in the winery. As a boss, he's always saving people (?, I feel average. You can watch it when you have time. It's just for entertainment.